Herbert Ekwe-Ekwe
THE Biafra freedom movement continues to challenge and override the cardinal tenets that define comparable liberatory trajectories of contemporary history. It has remained fiercely peaceful and resilient despite the scorched-earth savagery of the Fulani islamist/jihadist-led Nigeria genocidist military and its Boko Haram and Fulani militia adjuncts – the genocidists have murdered 3000 Igbo since October 2015 with scant condemnation from the rest of the world including co-genocidist perpetrator Britain.
Usually, a liberation movement “returns home” on the morrow of victory! No, not the Biafra freedom movement which is already emplaced throughout Biafra, as the world observes, setting up structures and processes of restoration-of-independence before formal restoration...
SCHOLARS and students of freedom are gasping to catch up with learning what new breaks or departures this movement is teaching the rest of the world on how to deal with gruesome anti-human regimes especially the genocidist caste à la Nigériana which now teetering on imploding, overwhelmed by the cadence of that very familiar freedom orchestration scored by the resilient Biafrans.
Usually, a liberation movement “returns home” on the morrow of victory! No, not the Biafra freedom movement which is already emplaced throughout Biafra, as the world observes, setting up structures and processes of restoration-of-independence before formal restoration...
SCHOLARS and students of freedom are gasping to catch up with learning what new breaks or departures this movement is teaching the rest of the world on how to deal with gruesome anti-human regimes especially the genocidist caste à la Nigériana which now teetering on imploding, overwhelmed by the cadence of that very familiar freedom orchestration scored by the resilient Biafrans.
(John Coltrane Sextet, “Out of this world” [personnel: Coltrane, tenor saxophone; Donald Garrett, clarinet, bass; Pharoah Sanders, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums; recorded: live at Penthouse Jazz Club, Seattle, US, 30 September 1965])
Twitter@HerbertEkweEkwe
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