Herbert Ekwe-Ekwe
BRITAIN creates a predatory estate it calls Nigeria, a name concocted cavalierly from one of the derivatives of the racist, dehumanising pan-European-crafted “n*****” epithet with edited part of word “area” added on to emphasise the conquered African peoples’ domicility.
Igbo people
It then employs an equally predatory and expansionist African-based Fulani islamists/jihadists, originally from Futa Djallon highlands in contemporary Guinea-Conakry, 1500 miles to the northwest, to murder indigenous uncompromisingly republican Igbo people at will in this longest and most devastating genocide of contemporary history – with 3.1 million Igbo murdered, 29 May 1966-12 January 1970, and tens of thousands of additional Igbo murdered, 13 January 1970-present day...
Just three days ago, Friday 17 August 2018, a Nigeria genocidist ocupation police unit in Owere, east Biafra, opened fire at 2000 Igbo women engaged in a peaceful freedom march through the Owere city centre. Details of casualties and possible fatalities suffered by the women are still unknown but the génocidaires have detained scores of survivors of this shooting.
IT should be noted that, in shooting at Igbo women freedom marchers last Friday, the Nigerians have studiously borrowed a leaf out of the book of their co-genocidist British conqueror state whose own occupation forces had, in November-December 1929, fired on and murdered 55 Igbo women freedom marchers in this same east Biafra region, opposed to the British conquest
(https://re-thinkingafrica.blogspot.com/2017/11/blog-post_23.html).
Freedom
For the Igbo, the resistance and overcoming from Nigeria are undoubtedly existential. Clearly, the Igbo are the authors of their freedom which, thankfully, 52 years later, is on the cards.
IGBO FREEDOM from this haematophagous monster, presently in its death throes, is the great African story of the 21st century.
(John Coltrane Sextet, “Out of this world” [personnel: Coltrane, tenor saxophone, soprano saxophone; Donald Garrett, clarinet, bass; Pharoah Sanders, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums; recorded: live at Penthouse Jazz Club, Seattle, US, 30 September 1965])
Twitter @HerbertEkweEkwe
No comments:
Post a Comment