Rethinking Africa is a forward looking blog dedicated to the exchange of innovative thinking on issues affecting the advancement of African peoples wherever they are. We provide rigorous and insightful analyses on the issues affecting Africans and their vision of the world.
PRODIGIOUSLY INFLUENTIAL tenor saxophonist, one of the leading lights of the instrument in the jazz repertoire underscored so classically with his TheState of the Tenor: Live at the Village Vanguard, Vols I & II (1985)
(Joe Henderson Trio, “Beatrice” {composer: Sam Rivers} [personnel: Henderson, tenor saxophone; Ron Crter, bass; Al Foster, drums; recorded: live, Village Vanguard, New York, US, 14-16 November 1985])
SEMINAL tenor saxophonist/multiinstrumentalist and composer who has recorded with varying ensembles (big bands, octets, quintets, quartets, trios, duos, even solo!) and whose exquisite ballad “Beatrice”, named after his wife, is a classic
(Sam Rivers Quartet, “Beatrice” [personnel: Rivers, tenor saxophone; Jaki Byard, piano; Ron Carter, bass; Tony Williams, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 11 December 1964])
PRODIGIOUSLY INFLUENTIAL tenor saxophonist, one of the leading lights of the instrument in the jazz repertoire underscored so classically with his TheState of the Tenor: Live at the Village Vanguard, Vols I & II (1985)
(Joe Henderson Trio, “Beatrice” {composer: Sam Rivers} [personnel: Henderson, tenor saxophone; Ron Crter, bass; Al Foster, drums; recorded: live, Village Vanguard, New York, US, 14-16 November 1985])
SEMINAL tenor saxophonist/multiinstrumentalist and composer who has recorded with varying ensembles (big bands, octets, quintets, quartets, trios, duos, even solo!) and whose exquisite ballad “Beatrice”, named after his wife, is a classic
(Sam Rivers Quartet, “Beatrice” [personnel: Rivers, tenor saxophone; Jaki Byard, piano; Ron Carter, bass; Tony Williams, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 11 December 1964])
Prodigiously influential tenor saxophonist, one of the leading lights of the instrument in the jazz repertoire underscored so classically with his TheState of the Tenor: Live at the Village Vanguard, Vols. I & II (1985)
(Joe Henderson Trio, “Beatrice” [personnel: Henderson, tenor saxophone; Ron Crter, bass; Al Foster, drums; recorded: live, Village Vanguard, New York, US, 14-16 November 1985])
Herbert Ekwe-Ekwe is specialist on the state and on genocide & wars in Africa in the post-1966 epoch – beginning with the Igbo genocide, 29 May 1966-present day, the foundational and most gruesome genocide of post-(European)conquest Africa. 3.1 million Igbo or 25 per cent of this nation’s population were murdered by Nigeria and its allies, principally Britain. Africa and the rest of the world largely stood by and watched as the perpetrators enacted this horror most ruthlessly. The world could have stopped this genocide; the world should have stopped this genocide. This genocide inaugurated Africa’s current age of pestilence. During the period, 12 million additional Africans have been murdered in further genocide in Rwanda (1994), Zaïre/DRCongo (variously, since the late 1990s) and Darfur – west of the Sudan – (since 2004) and in other wars in Africa. African peoples have, presently, no other choice but exit/dismantle the extant genocide-state (the bane of their existence & progress) & construct own nation-centred states that serve their interests. He is author of several books & papers on the subject and his new book is entitled The longest genocide – since 29 May 1966 (2019).
