Rethinking Africa is a forward looking blog dedicated to the exchange of innovative thinking on issues affecting the advancement of African peoples wherever they are. We provide rigorous and insightful analyses on the issues affecting Africans and their vision of the world.
Showing posts with label Art Blakey and the Jazz Messengers. Show all posts
Showing posts with label Art Blakey and the Jazz Messengers. Show all posts
VERSATILE trumpeter, composer, bandleader, occupies the trumpet chair of the influential Art Blakey and the Jazz Messengers for most of the first-half of the 1960s, and plays in a number of seminal sessions in bands led by tenor saxophonists John Coltrane (especially Africa/Brass, Olé Coltrane, Ascension), Wayne Shorter, Dexter Gordon, Joe Henderson and Tina Brooks, alto saxophonists Jackie McLean, Ornette Coleman and Eric Dolphy, pianists Andrew Hill and Herbie Hancock, and trombonist JJ Johnson
(Freddie Hubbard Sextet, “Bob’s place” [personnel: Hubbard, trumpet; Curtis Fuller, trombone; John Gilmore, tenor saxophone; Tommy Flanagan, piano; Art Davis, bass; Louis Hayes, drums; recorded: Van Gelder Studio, Englewoods Cliffs, NJ, US, 2 July 1962])
AWARD-WINNING tenor saxophonist and bandleader and versatile composer including jazz standards “I remember Clifford”, “Blues march”, “Whisper not”, “Stablemates”, “Are you real?” and “Along came Betty” and scores for films on television (including Mission: Impossible, Ironside, M*A*S*H)
(Art Blakey & the Jazz Messengers, “Whisper not” [personnel: Blakey, drums; Lee Morgan, trumpet; Golson, tenor saxophone; Bobby Timmons, piano; Jymie Merritt, bass; recorded: live, L’Olympia, Paris, France, 22 November 1958 & 17 December 1958])
Versatile trumpeter, composer, bandleader, occupies the trumpet chair of the influential Art Blakey and the Jazz Messengers for most of the first-half of the 1960s, and plays in a number of seminal sessions in bands led by tenor saxophonists John Coltrane (especially Africa/Brass, Olé Coltrane, Ascension), Wayne Shorter, Dexter Gordon, Joe Henderson and Tina Brooks, alto saxophonists Jackie McLean, Ornette Coleman and Eric Dolphy, pianists Andrew Hill and Herbie Hancock, and trombonist JJ Johnson
(Freddie Hubbard Sextet, “Bob’s place” [personnel: Hubbard, trumpet; Curtis Fuller, trombone; John Gilmore, tenor saxophone; Tommy Flanagan, piano; Art Davis, bass; Louis Hayes, drums; recorded: Van Gelder Studio, Englewoods Cliffs, NJ, US, 2 July 1962])
Herbert Ekwe-Ekwe is specialist on the state and on genocide & wars in Africa in the post-1966 epoch – beginning with the Igbo genocide, 29 May 1966-present day, the foundational and most gruesome genocide of post-(European)conquest Africa. 3.1 million Igbo or 25 per cent of this nation’s population were murdered by Nigeria and its allies, principally Britain. Africa and the rest of the world largely stood by and watched as the perpetrators enacted this horror most ruthlessly. The world could have stopped this genocide; the world should have stopped this genocide. This genocide inaugurated Africa’s current age of pestilence. During the period, 12 million additional Africans have been murdered in further genocide in Rwanda (1994), Zaïre/DRCongo (variously, since the late 1990s) and Darfur – west of the Sudan – (since 2004) and in other wars in Africa. African peoples have, presently, no other choice but exit/dismantle the extant genocide-state (the bane of their existence & progress) & construct own nation-centred states that serve their interests. He is author of several books & papers on the subject and his new book is entitled The longest genocide – since 29 May 1966 (2019).
