Rethinking Africa is a forward looking blog dedicated to the exchange of innovative thinking on issues affecting the advancement of African peoples wherever they are. We provide rigorous and insightful analyses on the issues affecting Africans and their vision of the world.
VIRTUOSO pianist and composer who has recorded prolificallyespecially with his trio and also solo, and earlier on with Wynton Marsalis’s varying ensembles (1985-1991); academic
(Marcus Roberts Trio – with expanded ensemble, “Deep in the shed” [Roberts, piano; Roland Guerin, bass; Jason Marsalis, drums; solos from expanded ensemble: Etienne Charles, trumpet; Ron Westray, trombone; Wess Anderson, alto saxophone; recorded: live, Jazz at Lincoln Center, New York, US, 1 February 2008])
(Marcus Roberts plays “Blue Monk”, classic composition by Thelonious Monk, on the Wynton Marsalis Quintet performance [personnel: Marsalis, trumpet; Todd Williams, tenor saxophone, soprano saxophone; Roberts, piano; Reginald Veal, bass; Herlin Riley, drums; recorded: live, Michael Fowler Centre, Wellington, New Zealand, 18 March 1988])
Virtuoso pianist and composer who has recorded prolifically especially with his trio and also solo, and earlier on with Wynton Marsalis’s varying ensembles (1985-1991); academic
(Marcus Roberts Trio – with expanded ensemble, “Deep in the shed” [Roberts, piano; Roland Guerin, bass; Jason Marsalis, drums; solos from expanded ensemble: Etienne Charles, trumpet; Ron Westray, trombone; Wess Anderson, alto saxophone; recorded: live, Jazz at Lincoln Center, New York, US, 1 February 2008])
(Marcus Roberts plays “Blue Monk”, classic composition by Thelonious Monk, on the Wynton Marsalis Quintet performance [personnel: Marsalis, trumpet; Todd Williams, tenor saxophone, soprano saxophone; Roberts, piano; Reginald Veal, bass; Herlin Riley, drums; recorded: live, Michael Fowler Centre, Wellington, New Zealand, 18 March 1988])
Virtuoso pianist and composer who has recorded prolifically, especially with his trio and also solo, and earlier on with Wynton Marsalis’s varying ensembles (1985-1991), academic
(Marcus Roberts Trio – with
expanded ensemble, “Deep in the shed” [Roberts,
piano; Roland Guerin, bass; Jason Marsalis, drums; solos from
expanded ensemble: Etienne Charles,
trumpet; Ron Westray, trombone; Wess Anderson, alto saxophone; recorded:
live, Jazz at Lincoln Center, New York, US, 1 February 2008])
(Marcus Roberts
plays “Blue Monk”, classic composition by Thelonious
Monk, on the Wynton Marsalis Quintet
performance [personnel: Marsalis, trumpet; Todd Williams, tenor
saxophone, soprano saxophone; Roberts,
piano; Reginald Veal, bass; Herlin Riley, drums; recorded: live, Michael
Fowler Centre, Wellington, New Zealand, 18 March 1988])
Herbert Ekwe-Ekwe is specialist on the state and on genocide & wars in Africa in the post-1966 epoch – beginning with the Igbo genocide, 29 May 1966-present day, the foundational and most gruesome genocide of post-(European)conquest Africa. 3.1 million Igbo or 25 per cent of this nation’s population were murdered by Nigeria and its allies, principally Britain. Africa and the rest of the world largely stood by and watched as the perpetrators enacted this horror most ruthlessly. The world could have stopped this genocide; the world should have stopped this genocide. This genocide inaugurated Africa’s current age of pestilence. During the period, 12 million additional Africans have been murdered in further genocide in Rwanda (1994), Zaïre/DRCongo (variously, since the late 1990s) and Darfur – west of the Sudan – (since 2004) and in other wars in Africa. African peoples have, presently, no other choice but exit/dismantle the extant genocide-state (the bane of their existence & progress) & construct own nation-centred states that serve their interests. He is author of several books & papers on the subject and his new book is entitled The longest genocide – since 29 May 1966 (2019).
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