Saturday, 23 April 2016

69th birthday of Ifi Amadiume

(Born 23 April 1947, Kaduna, Nigeria)
Poet and anthropologist, one of the theorists in the early circle of scholars that embarks on the study and transformation of the epistemology of Igbo Women’s Studies inaugurated in the 1960s-1970s by novelist Flora Nwapa and sociologist Kamene Okonjo, author of Male Daughters, Female Husbands (1987), the seminal text that examines the historic dual-gender complementarity and consequential socioeconomic dynamism of pre-(British)conquest Biafra
(Alice Coltrane Quintet, “Blue Nile” [personnel: Coltrane, harp; Joe Henderson, alto flute, Pharoah Sanders, alto flute; Ron Carter, bass; Ben Riley, drums; recorded: Coltrane home studios, Dix Hills, New York, US, 26 January 1970])
Twitter @HerbertEkweEkwe

Friday, 22 April 2016

94th birthday of Charles Mingus

(Born 22 April 1922, Nogales, Arizona, US)
Outstanding bassist, composer and bandleader whose music encapsulates all the critical junctures of jazz history and his Jazz Workshop a landmark conservatoire of an age
(Charles Mingus Sextet featuring multiinstrumentalist Eric Dolphy plays the Billy Strayhorn classic composition, “Take the ‘A’ train” [Mingus, bass; Johnny Coles, trumpet; Dolphy, bass clarinet; Clifford Jordan, tenor saxophone; Jaki Byard, piano; Dannie Richmond, drums; recorded: live, University Aula, Oslo, 12 April 1964])
Twitter @HerbertEkweEkwe

81st birthday of Paul Chambers

(Born 22 May 1935, Pittsburgh, US)
Virtuosic bassist, composer, member of Miles Davis First Great Quintet/Sextet (1955-1963) and subject of salutary, standard compositions by varying artistic colleagues: tenor saxophonist John Coltrane, “Mr P.C.”; tenor saxophonist Sonny Rollins, “Paul’s Pal”; pianist Tommy Flanagan, “Big Paul”; pianist Red Garland, “Mr P. C. Blues”; drummer Max Roach, “Five for Paul”
(John Coltrane Quartet featuring Paul Chambers, “Walkin’” and “The theme” [personnel: Coltrane, tenor saxophone, Wynton Kelly, piano; Chambers, bass; Jimmy Cobb, drums; recorded: live, German television, Düsseldorf, Germany, 28 March 1960])

Twitter @HerbertEkweEkwe

Thursday, 21 April 2016

Biafran engineering students construct minibus using local material for bachelor’s degree project (Vanguard, Lagos, Thursday 21 April 2016)

(The Biafran septet’s “Autobully”: … tenacity)
[report edited from the original filed by Ebele Orakpo – HE-E]

A team of seven Biafran engineering students at the Nnamdi Azikiwe University, Oka, Biafra, has successfully built a minibus for their bachelor’s degree programme. They are Callistus Ezeigwe, Victor Obinani, Chinaza Okoro, Ifeanyi Ezeanolue, Ogbu Ikenna, Fidelis Ominigbo and Nnamdi Nwobodo, and their project supervisor is Chinonso Achebe, a professor of mechanical engineering at the university.

The team, known as the “Autozik Group”, relied mostly on local materials for the construction of the bus which took five months. The bus is named “Autobully”, adapted from the shape of the familiar bullion van. Commenting on the production, Callistus Ezeigwe, the team’s spokesperson states: “The bus was constructed from start to finish at the university’s workshop, using all necessary design software and computer-aided design tools. We constructed the chassis, down to every single part of the minibus … We made the mini bus using mere hand tools. This means we did all of the construction and folding with our hands since the university could not provide us with the ground equipment as used in most automobile companies.”
(John Coltrane Quartet, “Pursuance”, part-III of the four-part suite of the classic, A Love Supreme [personnel: Coltrane, tenor saxophone, McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 9 December 1964])
Twitter @HerbertEkweEkwe

Wednesday, 20 April 2016

Igbo don’t have to justify their current freedom mission; no one ever does


Herbert Ekwe-Ekwe

Affirmation vs retrograde formation

Even if the Igbo were not subjected to the cataclysmic genocide of 29 May 1966-12 January 1970, the foundational genocide of post-(European)conquest Africa in which suzerain Britain and its Nigeria client state murdered 3.1 million Igbo or one-quarter of this nation’s population, and the current phase of the genocide that the Muhammadu Buhari regime and its adjunct duo Boko Haram and Fulani militant (erroneously tagged  “Fulani herdspeople” in the media in Nigeria) forces are waging in occupied Biafra, they, the Igbo,  just like any other peoples, have a right to declare themselves free from Nigeria or indeed any other state in Africa they find themselves domiciled if they so wish.

This was precisely why the Igbo didn’t have to offer some justification for its 30 year-old vanguard role (1930s-October 1960) in formally terminating 76 years of the British conquest and occupation of Nigeria, not even to the north region Hausa-Fulani Arabised-islamist political establishment, strategic ally of the occupation opposed to African liberation and progenitor of the prevailing dominant regime forces in Nigeria. No comparable political forces anywhere else in the South World (Africa, Asia, Oceania, the Americas), during this epoch, wanted their lands occupied indefinitely by any of the conqueror pan-European states (Britain, Germany, Belgium, France, Italy, Portugal, Spain) as this north Nigeria formation. The British aptly “rewarded” the formation with overseeing power, beginning 1 October 1960, to protect Britain’s vast economic interests in Nigeria in perpetuity as well as wage a 50-year-old genocide against one of the most enterprising and progressive nations in Africa. The catastrophe that is Nigeria becomes hugely intelligible in the context of this history. 

Besides, the compositional aftermath of the (European)conqueror/conquered/conquest-state of Africa (Nigeria, Chad, Niger, Central African Republic, the Sudan, the Congo-B, the Congo-K, Guinea-B, Guinea-C, Guinea-E, whatever!) cannot be the basis of the restoration-of-independence for the peoples as this historic right to freedom affirmation rests incontrovertibly on the hitherto conquered constituent African nation or people – Igbo, Bakongo, Wolof, Luo, Ibibio, Darfuri, Gĩkũyũ, Herero, Efik, Akan, Bakongo, Gur, Ijo, Punu, Ovambo, Bamileke...

“To be”
This right to freedom for a people, for all peoples, is inalienable. As I have demonstrated severally on this platform, it is the state, any state, that is transient; definitely, not the people(s) except, of course, they are a target or programmed for genocide by some state(s) or some other agency. No one, no people, therefore, has to offer a reason for being free, for freedom. So, the rather perfunctory remarks, “agitating for Biafra”, “Biafra agitators”, often made by some commentators to highlight the current historic drive of the Biafran freedom movement is ironically an assault on the very essence of this freedom. One doesn’t “agitate” for freedom; they, instead, proclaim it: “I am because I am free; I am free because I am”.
(John Coltrane Quintet,“To be” [personnel: Coltrane, flute; Pharaoh Sanders, flute, piccolo, tambourine; Alice Coltrane, piano; Jimmy Garrison, bass; Rashied Ali, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 15 February 1967])
Twitter @HerbertEkweEkwe

Tuesday, 19 April 2016

95th birthday of Chike Obi

(Born 17 April 1921, Onicha, Biafra)
First mathematics doctorate in Biafra/southwestcentral Africa, rigorous academic and public intellectual, aptly described by theoretical physicist Alexander Obiefoka Animalu as the “foremost African mathematical genius of the 20th century”
(John Coltrane Quartet,  “Equinox” [personnel: Coltrane, tenor saxophone; McCoy Tyner, piano; Steve Davis, bass; Elvin Jones, drums; recorded: Atlantic Studios, New York, US, 26 October 1960])
Twitter @HerbertEkweEkwe

87th birthday of Mariama Bâ

(Born 17 April 1929, Dakar, Sénégal)
Novelist and influential intellectual, author of the seminal So Long a Letter (1981)
(Alice Coltrane Sextet, “Journey in Satchidananda” [personnel: Coltrane, harp; Pharoah Sanders, soprano saxophone, bells; Cecil McBee, bass; Tulsi, tambura; Rashied Ali, drums; Majid Shabazz, tambourine, bells; recorded: Coltrane home studios, Dix Hills, New York, US, 8 November 1970])
Twitter @HerbertEkweEkwe