Tuesday, 6 June 2017

Tuesday 6 June 2017: Why Biafra will unlock several Biafras across Africa within a generation...


Herbert Ekwe-Ekwe


NEITHER BRITAIN nor NIGERIA can stop the current Biafra freedom train. No one else can.


This Igbo march to freedom, an inalienable right for all peoples, is unstoppable. In this foundational genocide of post-(European)conquest Africa, suzerain state Britain in alliance with its ruthless client-state it calls Nigeria, 2960 miles away in southwestcentral Africa, have spent the past 51 years, beginning on Sunday 29 May 1966, waging a most gruesome and devastating murder campaign on Igbo people to destroy this freedom movement.

 

Historically embedded 


Contrary to the often generalised, predictable characterisation evident in international relations discourses, especially currently, the Anglo-Nigeria alliance, particularly London’s historically embedded relationship with that very apex retrograde religio-ideational-regional grouping in genocidist Nigeria is not really as unlikely as some may wish to think 

(see Herbert Ekwe-Ekwe, “Igbo question, Biafra mission”, 

https://www.pambazuka.org/democracy-governance/igbo-question-biafra-mission, accessed 5 June 2017).

 

Indeed during phases I-III of the Igbo genocide (29 May 1966-12 January 1970), Britain and Nigeria murdered 3.1 million Igbo, 25 per cent of this nation’s population. Since then, the genocidists have murdered tens of thousands of additional Igbo across Nigeria. According to human rights organisations in Biafra, 2000 Igbo have been murdered between October 2015 and presently by the Nigeria regime, currently headed by Muhammadu Buhari, a notoriously fiendish genocidist operative who has been centrally involved in the genocide since 1966. The Igbo genocide is the longest and one of the bloodiest genocides of contemporary history. On the record, no single nation or people in Africa has suffered this extent of a catastrophic state(s)’-premeditated and organised genocide in history as the Igbo.

 

IGBO SURVIVAL from this catastrophe has therefore been one of the preeminently celebratory outcomes of recent history. The Igbo are primed to deploy their phenomenal resilience from this history as it embarks on the expansive reconstructionary endeavour to transform their Biafra homeland into a haven of creativity, humanism and progress, in the wake of the genocide. 


Despite the genocide and occupation, the Igbo control one of Africa’s best-developed multidisciplinary humanpower conglomeration of assets which will be invaluable in the mission ahead. Additionally, they will be tapping into an epoch of immense possibilities in Africa – an Africa that, since 1981, has been a net-exporter of capital to the West World and elsewhere, gargantuan resources that should never leave this continent but retained therein solely for the peoples who have created this wealth, and an Africa whose millions of émigirés in the West World and elsewhere are now net-exporters of capital back to Africa through the latter’s remittances year in, year out 

(http://re-thinkingafrica.blogspot.co.uk/2014/05/rethinking-state-in-africa-whose-state.html).

 

Biafra flowers of rebirth


BIAFRAN RECONSTRUCTION at once signals to the rest of the constituent peoples and nations enveloped in the European-created “Berlin-states” of death, immiseration, desolation and hopelessness that freedom and transformation, right there in Africa, are achievable goals – that African peoples can build, reconstruct, embark on all possibilities of working for themselves and appropriating the fruits of their labour from their land and on their own terms... The world must now know that Biafra flowers innumerable Biafras of rebirth not seen in Africa for 500 years.

(Jackie McLean Quartet, “Melody for Melonae” [personnel: McLean, alto saxophone; Walter Davis, Jr, piano; Herbie Lewis, bass; Billy Higgins, drums; recorded: Van Gelder Studios, Englewood Cliffs, NJ, US, 19 March 1962])

Twitter @HerbertEkweEkwe

218th birthday of Alexander Pushkin

(Born 6 June 1799, Moscow, Russia)
ARGUABLY Russia’s most famous poet and father of modern Russian literature whose matrilineal great-grandfather, Abram Gannibal, is an enslaved African who works himself through to become an engineer, regional governor, and general in the czarist army and rises to the Russian aristocracy, and whose great-granddaughter Nadejda de Torby marries Prince George of Battenburg of the British royal family, uncle of Prince Philip, Duke of Edinburgh, husband of Queen Elizabeth II
(Miles Davis Quintet plays “Footprints”, a composition by Wayne Shorter [personnel: Davis, trumpet; Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums; recorded: Columbia 30th Street Studio, New York, US, 24-25 October 1966])
Twitter @HerbertEkweEkwe

Monday, 5 June 2017

72nd birthday of Anthony Braxton

(Born 4 June 1945, Chicago, US)
One of the most prolific composers of his generation with music stretching in multiform genres that he collectively captions “creative music”, multiinstrumentalist, philosopher, academic, chess player
(Dave Holland Quartet, “Conference of the birds” [personnel: Holland, bass; Rivers, reeds, flute; Braxton, reeds, flute; Barry Altschul, percussion, marimba; recorded: {as above}])
(Max Roach & Anthony Braxton, “Birth” [personnel: Roach, drums; Braxton, reeds; recorded: Ricordi Studios, Milan, Italy, 7 September 1978])
Twitter @HerbertEkweEkwe


85th birthday of Oliver Nelson

(Born 4 June 1932, St Louis, Missouri, US)
Bandleader, prolific arranger and producer, composer, especially the classic The Blues and the Abstract Truth (February 1961), featuring multiinstrumentalist Eric Dolphy, trumpeter Freddie Hubbard, pianist Bill Evans, baritone saxophonist George Barrow, bassist Paul Chambers and drummer Roy Haynes

(Oliver Nelson Quintet, “Six and four” [personnel: Nelson, alto saxophone {first solo take}; Eric Dolphy, alto saxophone {second solo following Nelson and before Wyands}; Richard Wyands, piano; George Duvivier, bass; Roy Haynes, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 1 March 1961]) 
(Oliver Nelson Septet, “Stolen moments” – personnel: Nelson, tenor saxophone; Freddie Hubbard, trumpet; Eric Dolphy, alto saxophone, flute; George Barrow, baritone saxophone; Bill Evans, piano; Paul Chambers, bass; Roy Haynes, drums [recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 23 February 1961])

Twitter@HerbertEkweEkwe

113th birthday of Charles R Drew

(Born 3 June 1904, Washington, DC, US)
Physician, academic, distinguished researcher in medical sciences, directing, soon after his doctorate degree in Columbia University Medical School in 1940 (first African American, had earlier on in 1933 received his MD and Master of Surgery degrees at McGill University), the special New York-based blood transfusion service for Britain, set up in response to the acute blood supply shortages in the country, for both civilian and military, during these early months of the Second World War, named after the Charles R Drew University of Medicine and Science, California
(Billy Strayhorn Quintet, “Upper Manhattan Medical Group” [personnel: Strayhorn, piano; Clark Terry, trumpet; Bob Wilbur, clarinet, soprano saxophone; Wendell Marshall, bass; Dave Bailey, drums; recorded: ?, 1965]) 
Twitter @HerbertEkweEkwe

5 June 1969

(O Obusonjo... Day of beastly monstrosity: “[C]hallenged ... Gbadomosi King [genocidist Nigeria air force pilot] to produce results ... He [Gbadomosi King] redeemed his promise...”)

Herbert Ekwe-Ekwe

The world turns and the world changes,
But one thing does not change.
In all my years, one thing does not change,
However you disguise it, this thing does not change:
The perpetual struggle between Good and Evil.
(TS Eliot, “Choruses from the Rock”, 1934)

THERE WAS HARDLY any day during the entire 44-month duration of phases I-III of the Igbo genocide (29 May 1966-12 January 1970) that the Nigerian assault on Biafra did not register some dreadful mark of infamy, such was the sheer savagery of this murder mission. 

5 June 1969, exactly 48 years ago today, was not different. Genocidist commander Olusegun Obasanjo had, on this day of beastly monstrosity ordered his air force to shoot down an international Red Cross aircraft carrying relief supplies to the encircled, blockaded and bombarded Igbo.

Olusegun Obasanjo clearly, unambiguously, records this horrendous crime in his memoirs, appropriately entitled My Command, published in 1981 by the reputable Heinemann London publishers. Obasanjo had “challenged”, to quote his words, Captain Gbadomosi King (genocidist air force pilot), who he had known since 1966, to “produce results” in stopping further international relief flight deliveries to the Igbo. Within a week of his infamous challenge, 5 June 1969, Olusegun Obasanjo recalls, most nostalgically, Gbadomosi King “redeemed his promise”. Gbadomosi King had shot down a clearly marked, in coming relief-bearing International Committee of the Red Cross (ICRC) DC-7 plane near Eket, south Biafra, with the loss of its 3-person crew.
(DC-7 aircraft similar to the ICRC relief-carrying plane shot down over south Biafra by genocidist Nigeria military on the orders of commander O Obusonjo)
OLUSEGUN OBASANJO’s perverse satisfaction over the aftermath of this horrendous crime is fiendish, chillingly revolting. He writes: “The effect of [this] singular achievement of the Air Force especially on 3 Marine Commando Division [the notorious unit Obasanjo, who later becomes Nigeria’s head of regime for 11 years, commanded] was profound. It raised morale of all service personnel, especially of the Air Force detachment concerned and the troops they supported in [my] 3 Marine Commando Division” (Obasanjo, My Command: 79).

Caliban and his “massa” Prospero

Yet despite the huffing and puffing, the raving commanding brute is essentially a coward who lacks the courage to face up to a world totally outraged by his gruesome crime. Instead, Obasanjo, the quintessential Caliban, cringes into a stupor and beacons to his Prospero, British Prime Minister Harold Wilson (as he, Obansanjo, indeed unashamedly acknowledges in his My Command), to “sort out” the raging international outcry generated by the destruction of the ICRC plane... This request once again underscores Harold Wilson’s coordinating role in the prosecution of the Igbo genocide from the comfort of his offices and residence at 10 Downing Street, London, 3000 miles away. Anglo-Nigeria duo genocidists murdered 3.1 million Igbo people or 25 per cent of this nation’s population during this foundational genocide of post-(European)conquest Africa.

OLUSEGUN OBASANJO must now make the most honourable move over this crime and surrender himself, voluntarily, with his memoirs, at the International Criminal Court in The Hague and explain to the world what happened over the skies of south Biafra on that Thursday 5 June 1969. Failing to do this, it is incumbent on the ICC to declare this man “wanted” – to urgently tell the world why he had ordered the destruction of the ICRC DC-7 aircraft with the death of its 3-person crew and who else in his genocidist high command is culpable of this crime.
(Mal Waldron Quartet, “Hymn from the inferno” [personnel: Waldron, piano; Clifford Jordan, tenor saxophone; Cecil McBee, bass; Dannie Richmond, drums; recorded: Vanguard Studios, New York, US, 15 August 1981]) 
Twitter @HerbertEkweEkwe

182nd birthday of James Beale Africanus Horton

(Born 1 June 1835, Gloucester, Sierra Leone)
Physician, first Igbo and African graduate of University of Edinburgh Medical School (August 1859), prolific author of the sciences and history, distinguished officer of the British army medical corps, visionary of freedom and restoration-of-African-independence and transformation of African fortunes in the world after centuries of European World enslavement, conquest, occupation and expropriation; entrepreneur and banker

Twitter @HerbertEkweEkwe