Rethinking Africa is a forward looking blog dedicated to the exchange of innovative thinking on issues affecting the advancement of African peoples wherever they are. We provide rigorous and insightful analyses on the issues affecting Africans and their vision of the world.
Showing posts with label Anthony Braxton. Show all posts
Showing posts with label Anthony Braxton. Show all posts
ONE of the most prolific composers of his generation with music stretching in multiform genres that he collectively captions “creative music”, multiinstrumentalist, philosopher, academic, chess player
(Dave Holland Quartet, “Conference of the birds” [personnel: Holland, bass; Rivers, reeds, flute; Braxton, reeds, flute; Barry Altschul, percussion, marimba; recorded: {as above}])
(Max Roach & Anthony Braxton, “Birth” [personnel: Roach, drums; Braxton, reeds; recorded: Ricordi Studios, Milan, Italy, 7 September 1978])
One of the most prolific composers of his generation with music stretching in multiform genres that he collectively captions “creative music”, multiinstrumentalist, philosopher, academic, chess player
(Dave Holland Quartet, “Conference of the birds” [personnel: Holland, bass; Rivers, reeds, flute; Braxton, reeds, flute; Barry Altschul, percussion, marimba; recorded: {as above}])
(Max Roach & Anthony Braxton, “Birth” [personnel: Roach, drums; Braxton, reeds; recorded: Ricordi Studios, Milan, Italy, 7 September 1978])
One of the most prolific composers of his generation with music stretching in multiform genres that he collectively captions “creative music”, multiinstrumentalist, philosopher, academic, chess player
(DaveHollandQuartet, “Interception” [personnel: Holland, bass; Sam Rivers, tenor saxophone {first solo take}; Anthony Braxton, reeds {solo after Holland’s and before the Braxton-Rivers interplay passage}; Barry Altschul, percussion, marimba; recorded: Allegro Studios, New York, US, 30 November 1972])
(Dave Holland Quartet, “Conference of the birds” [personnel: Holland, bass; Rivers, reeds, flute; Braxton, reeds, flute; Barry Altschul, percussion, marimba; recorded: {as above}])
The Igbo and all other peoples who have lived through the terror of the post-(European)conquest genocide “Berlin-state” in Africa must abandon it at once to survive and advance towards the construction of higher levels of civilisation. They have no other choice.
Each and every constituent African people or nation (Asante, Baganda, Bakongo,Bambara,Gĩkũyũ, Ibibio, Igbo, Ijo, Luo, Wolof, etc., etc) can build this civilisation outside the existing genocide state of enthralled and degenerative agglomeration.
Creativity
Let Africa’s constituent peoples or nations unleash a dazzling contest of creativity and progress, a continuing mutual bombardment, sharing, and transformation of ideas and streams of possibilities, akin to what the world has seen in Asia, South America and elsewhere in the world in the past 40 years – not the “Berlin-state”-programmed seasons of mass murdering, pillaging, nihilism ... “Let the kite perch and let the eagle perch too. If one says no to the other, let their wing break”. Most surely, now is the time to embark on this beginning for peoples in Africa.
(Max Roach & Anthony Braxton, “Birth” [personnel: Roach, drums; Braxton, reeds; recorded: Ricordi Studios, Milan, Italy, 7 September 1978])
One of the most prolific composers of his generation with music stretching in multiform genres that he collectively captions “creative music”, multiinstrumentalist, philosopher, academic, chess player
(Dave
Holland Quartet, “Interception” [personnel: Holland, bass; Sam Rivers, tenor
saxophone {first solo take}; Anthony Braxton, reeds {solo after Holland’s and before the Braxton-Rivers interplay passage}; Barry Altschul, percussion, marimba;
recorded: Allegro Studios, New York, US, 30 November 1972])
One of
the most prolific composers of his generation with music stretching in
multiform genres that he collectively captions “creative music”, multiinstrumentalist,
philosopher, academic, chess player Twitter@HerbertEkweEkwe
Herbert Ekwe-Ekwe is specialist on the state and on genocide & wars in Africa in the post-1966 epoch – beginning with the Igbo genocide, 29 May 1966-present day, the foundational and most gruesome genocide of post-(European)conquest Africa. 3.1 million Igbo or 25 per cent of this nation’s population were murdered by Nigeria and its allies, principally Britain. Africa and the rest of the world largely stood by and watched as the perpetrators enacted this horror most ruthlessly. The world could have stopped this genocide; the world should have stopped this genocide. This genocide inaugurated Africa’s current age of pestilence. During the period, 12 million additional Africans have been murdered in further genocide in Rwanda (1994), Zaïre/DRCongo (variously, since the late 1990s) and Darfur – west of the Sudan – (since 2004) and in other wars in Africa. African peoples have, presently, no other choice but exit/dismantle the extant genocide-state (the bane of their existence & progress) & construct own nation-centred states that serve their interests. He is author of several books & papers on the subject and his new book is entitled The longest genocide – since 29 May 1966 (2019).
