African World History Month season and Rethinking Africa

In another couple of weeks or so, Africans in varying regions of the African World outside continental Africa, particularly those in the Americas and later on in Europe and Australasia, embark on the annual African World History Month of teaching, discussion, debating, exhibition and the multifaceted stream of cultural activity to celebrate 6000 years of African history: from Kemet (“ancient Egypt”) to Biafra, from ancient Ghana (contemporary Sénégal, Guinea-Bissau, Mauritania, part of west Mali) to Gĩkũyũland and Ethiopia of east Africa, from the Atlas Mountains of the north to South Africa, from Canada and the United States to Uruguay and Brazil, from Panama/Jamaica/Haiti/Cuba  across the Caribbean to Trinidad/St Lucia/St Kitts & Nevis/Barbados, from Colombia/Venezuela to Guyana/Surinam, from Britain/Europe to Australasia… 

Subject, agency, history

Organisers, teachers and students of the programme are warmly reminded of Rethinking Africa, the rigorously studious reference and dependable companion as ever. In Rethinking Africa, African World history is live, continuous, daily, now – not just seasonal, as Carter G Woodson, himself, would approve. Visit Rethinking Africa daily, all year round, and explore its vast archive which includes commentaries, essays, reports/reviews of publications, conferences, seminars, debates, lectures, concerts, festivals...  and snap biographical sketches on persons and anniversaries of occurrences across the African World that are at once succinct profiles and earmarked opportunities for further reading, analysis, and research. Here, Africa, Africans, wherever they are in the world, are subjects and agencies of history. Find out, for instance, why the survival of the Igbo people from the Igbo genocide of 29 May 1966-12 January 1970, the foundational genocide of post-(European)conquest Africa, executed by Nigeria, is one of the most extraordinarily emancipatory developments of recent history. Why are Nelson Mandela and Chinua Achebe the dual-colossi of 20th century African renaissance? As director Steve McQueen and actor Chiwetel Ejiofor currently remind the world of the saliency of African resistance in the enslaved emplacements of the United States, what does CLR James’s classic, Black Jacobins (1938), tell us about that historic African uprising in the west Caribbean of the late 18th century/early19th century? What are the lessons of San Domingo today? What is the title of another classic on African enslavement in the Americas published in 1944 by the African Trinidadian historian, Eric Williams? What are James Baldwin’s and Toni Morrison’s contributions to African American letters and history? Why is Kenneth Onwuka Dike’s reconstructionary scholarship on African history so seminal? What does “civil war” really mean (http://re-thinkingafrica.blogspot.com.br/2013/09/what-is-civil-war.html) and why is “sub-Sahara Africa” such a repugnant racist epithet? (http://re-thinkingafrica.blogspot.com.br/2013/06/still-read-or-hear-of-sub-sahara-africa.html) Who employs “sub-Sahara Africa”? Why? 

What epistemology does Flora Nwapa inaugurate in 1966 when she publishes the novel, Efuru? Who are marching along her illustrious path presently? What identical every day-used, important personal product does 20th century/21st century philosopher Cornel West share with men and women of Kemet, 5000 years ago? Why is the role of Cheikh Anta Diop’s near-40 years of scholarship on Kemet of such vital importance? How has agriculture played a crucial role in the development of African civilisations across the continent’s regions and epochs? What is the extent of the research and inventions of George Washington Carver to contemporary society, worldwide? What business does 20th continental African entrepreneur Louis-Philip Ojukwu share with 19th century African American entrepreneur Paul Cuffee? What is the “Berlin-state” in Africa? Who are its beneficiaries? Why does the “Berlin-state” have no future for African peoples? What are the alternatives to this state?

Intellectuals: Freedom

In a word, what is it about the African that is the central preoccupation in the lives and work of the following intellectuals? Olaudah Equiano, Nelson Mandela, Martin Luther King, Chinua Achebe, Ida B Wells, CLR James, Christopher Okigbo, Toni Morrison, Malcolm X, Léopold Sédar Senghor, James Baldwin, Louis Mbanefo, Alain Locke, Kenneth Onwuka Dike, Arthur Schomburg, WEB Du Bois, Duke Ellington, Sojourner Truth, Ignatius Sancho, Charlotte Gardens, Claude McKay, Chukwuemeka Odumegwu-Ojukwu, Frederick Douglass, Mary Seacole, Daniel Hale Williams, Carter G Woodson, Patrice Lumumba, Edward Kamau Brathwaite, Eubie Blake, Maulana Karenga, Cheikh Anta Diop, Akanu Ibiam, Louis Armstrong, Flora Nwapa, Thelonious Monk, Théophile Obenga, Paul Robeson, Ann Petry, Fela Anikulapo-Kuti, Edward Wilmot Blyden, Amilcar Cabral, Langston Hughes, Tchicaya U Tam’si, Palmer Hayden, Samuel Coleridge-Taylor, Mordecai Wyatt Johnson, Horace Pipping, Nicolás Guillén, Aimé Césaire, Kwame Nkrumah, Margaret Danner, Ladipo Solanke, Frantz Fanon, Martin Delaney, Chike Obi, Dean Dixon, Ossie Davis, Julius Nyerere, Noble Lee Sissle, Felix Oragwu, Agostinho Neto, Charlie Parker, Bessie Head, Pius Okigbo, Ruby Dee, Maurice Bishop, Nikki Giovanni, Emmanuel Obiechina, Kofi Awoonor, Chancellor Williams, Léon-Gontran Damas, Gwendolyn Brooks, Percy Lavon Julian, Eric Williams, Mbonu Ojike, Mahaila Jackson, Charles Drew, Okot p’Bitek, Billie Holiday, George Lamming, Sterling Brown, Adiele Afigbo, George Russell, Arna Bontemps, Sydney Poitier, Margaret Walker, John Coltrane, Steve Biko, Era Bell Thomson, E Franklin Frazier, Alexander Animalu, Charles Mingus, Alioune Diop, George Bridgetower, Michael Echeruo, Ornette Coleman, Ngũgĩ wa Thiong’o, Don Cherry,  Constance Baker Motley, Stevie Wonder, Benedict Obumselu, Grace Ogot, Molefi Kete Asante, Ivan Van Sertima, Funmilayo Ransome-Kuti, Countee Cullen, James Brown, Paul Revere Williams, Ifeanyi Menkiti, Harriet Tubman, Ray Charles, Sonia Sanchez, Théophile Obenga, George Washington Carver, Walter Rodney, Mariama Bâ, Paul Chambers, Cornel West, Miles Davis, George James, Max Roach, John Henrik Clarke, Elvin Jones, Amiri Baraka, Ama Ata Aidoo, JC Moses,  McCoy Tyner, Peter Tosh,  Sonny Simmons, Andrew Hill, Ousmane Sembéne, Paule Marshall, Wynton Kelly, Adu Bohen, Eric Dolphy, John Tchicai, Clifford Jordan, Jewel Plummer Cobb, Jaki Byard, Prince Lasha, Mal Waldron, Abbey Lincoln, Danny Glover, Bob Marley, Horace Silver, Oscar Peterson, Mariamba Ani, Dannie Richmond, Uzo Egonu, Eddie Khan, Gani Fawehinmi, Johnny Coles, Ayi Kwei Armah, Archie Shepp, Ifeanyi Menkiti, Richard Williams, Faye Harrison, Ihechukwu Madubuike, Ray Brown, Archie Mafeje, Ishmael Reed, Dudu Pukwana, Obiora Udechukwu, Mĩcere Gĩthae Mũgo, Valentine Mudimbe, Wangari Maathai, Bob Marley, Simon Gikandi, Herbie Hancock, Jimmy Garrison, Kwame Anthony Appiah, Ed Thigpen, Carole Boyce Davies, Spike Lee, Zeal Onyia, Denzel Washington, Hilary Beckles, David Murray,  Esiaba Irobi, Thomas Sankara, Rita Dove, Tony Medina: Freedom

(Max Roach Quintet, featuring Abbey Lincoln, “All Africa” [personnel: Roach, drums; Lincoln, vocals; Clifford Jordan, tenor saxophone; Coleridge Perkinson, piano; Eddie Khan, bass; recorded: Belgian television, January{?}1964])

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