(Lewis Hamilton... after his success at the Mexican grand prix, Sunday 29 October 2017)Twitter@HerbertEkweEkwe
Sunday, 29 October 2017
Lewis Hamilton – most successful British racing driver of all time. Congratulations!
Friday, 27 October 2017
Catalonia decides: Restoration-of-independence
Herbert Ekwe-Ekwe
CATALONIA, a population of 7.5 million and situated in the northeast region of Spain, has formally declared its restoration-of-independence. This follows a referendum on 1 October 2017 in which 90.90 per cent of Catalans voted “yes” for restoration-of-independence. Until now, Catalan has been part of Spain for centuries. Catalonia is the 25th new state to emerge in
Support for British conquest and occupation of Nigeria indefinitely...
FOR THE RECORD, it mustn’t be forgotten that the Hausa-Fulani/islamist-led leadership in Nigeria which ritually trumpets the “ind”-threesome slogan (above) to preface its next planned massacre of the Igbo in occupied Biafra or in Nigeria supported continuing British occupation of the conquest-state called Nigeria during the course of 30 momentous years (1930s-October 1960) by opposing the Igbo-led restoration-of-independence movement for the freeing of the constituent African nations and peoples from the British occupation. There were no comparable examples of such a staggering anti-freedom position anywhere else in the Southern World during the epoch. Britain duly “rewarded” the islamist leadership perpetual control of Nigeria as a prop to transfer the latter’s retrograde view of this conquest-state to some “post”-conquest variation on a theme which, in itself, guarantees British suzerainty over Nigeria indefinitely. This is a cardinal feature that constitutes the tragedy called Nigeria today.
As everyone should know, the states that Europe created in Africa, in the aftermath of its November 1884-February 1885
Not-gift
AS IN BERLIN and indeed in Madrid, as the Catalans have shown, the state is not a gift from the gods. On the contrary, the state is a relationship painstakingly formulated and constructed by groups of human beings on planet earth to pursue aspirations and interests envisioned by these same human beings within a shared historical and geographical articulation. The African humanity is presently gripped in a grave crisis for survival. Surely, it is aware of this emergency and it is now time that it abandoned the contrived “Berlin-state” in order to survive. This state is a bane of African existence. African nations, namely the Igbo, Ijo, Acholi, Wolof, Yao, Ibibio,
Peoples endure; states are indeed transient
States, in the end, are transient as the following attests... Whatever happened to Czarist Russia, Austro-Hungarian empire, the Ottoman empire, the British empire, French Indo-China, Portuguese empire, Spanish empire and, more latterly, the Soviet Union, the Warsaw Treaty states, Josip Broz Tito’s
WHAT happened to the constituent peoples in these states that no longer exist? These constituent peoples exist in innumerable new states with names beginning with and from “A” to “Z”. Why did the Polish state disappear from the world map for 123 years (yes, one hundred and twenty-three years!) until its reappearance in 1918? Answer: Gobbled up by predator states, chiefly Czarist Russia. What happened to the Polish people during this century and twenty-three years of varying conquest and occupation? The Poles survived, bidding their time for the restoration of their independence. What would happen to the
In history, therefore, states have actually been transient formations. It is to human beings that survival belongs, provided no genocidist hotchpotch plans to wipe out a targeted group of them as Nigeria is geared, presently, in its long-stretched campaign against Igbo people of Biafra…
(Sonny Rollins Trio, “The freedom suite” [personnel: Rollins, tenor saxophone; Oscar Pettiford, bass; Max Roach, drums; recorded: Riverside Records, New York, US, 7 March 1958)
Twitter@HerbertEkweEkwe
95th birthday of Ruby Dee
(Born 27 October 1922, Cleveland, Ohio, US)
CELEBRATED award-winning actress and freedom proponent who continues to work till her 90th birthday – with signature film performances which include The Jackie Robinson Story (1950), Edge of a City (1957), The Raisin in the Sun (1961), Gone are the Days (1963), The Incident (1967), Peyton Place (television: 1968-1969), Roots – The Next Generation (television: 1979), I Know Why the Caged Bird Sings (television: 1979), With Ossie and Ruby! (television: 1980-1982), Go Tell It on the Mountain (television: 1985), Do the Right Thing (1989), Jungle Fever (1991), Their Eyes were watching God (television: 2005), American Gangster (2007)
Twitter@HerbertEkweEkwe(Alice Coltrane Trio, “Lovely sky boat” [personnel: Coltrane, harp; Jimmy Garrison, bass; Rashied Ali, drums; recorded: Coltrane home studio, Dix Hills, New York, US, 6 June 1968])
Thursday, 26 October 2017
66th birthday of Catherine Acholonu
(Born 26 October 1951, Orlu, Biafra)
PROLIFIC and indefatigable scholar on Igbo origins and civilisation and relationship with neighbouring states and peoples and rest of the world
Twitter@HerbertEkweEkwe(Alice Coltrane Trio, “Turiya and Ramakrishna” [personnel: Coltrane, piano; Ron Carter, bass; Ben Riley, drums; recorded: Coltrane home studio, Dix Hills, New York, US, 26 January 1970])
Saturday, 21 October 2017
100th birthday of Dizzy Gillespie
(Born 21 October 1917, Cheraw, South Carolina, US)
TRUMPET VIRTUOSO who, with alto saxophonist Charlie Parker, plays a vanguard role in the bebop revolution in jazz in the 1940s/early 1950s and whose creative genius has influenced a stretch of trumpet luminaries subsequently: Fats Navarro, Miles Davis, Clifford Brown, Booker Little, Donald Bryd, Kenny Dorham, Lee Morgan, Art Farmer, Clarence Shaw, Richard Williams, Nat Adderley, Ted Curson, Johnny Coles, Woody Shaw, Lester Bowie, Don Cherry, Alan Shorter, Donald Ayler, Dizzy Reece, Freddie Hubbard, Jon Faddis, Wynton Marsalis, Terence Blanchard
(Charlie Parker Quintet plays Tadd Dameron’s classic composition, “Hot House” [personnel: Parker, alto saxophone; Gillespie, trumpet; Dick Hyman, piano; Sandy Block, bass; Charlie Smith, drums; recorded: Dumont Television Studios, New York, US, 24 February 1952])
(The Giants of Jazz, Live album, Copenhagen [personnel: Gillespie, trumpet; Kai Winding, trombone; Sonny Stitt, alto saxophone, tenor saxophone; Thelonious Monk, piano; Al McKibbon, bass; Art Blakey, drums; recorded: live, Tivoli, Copenhagen, Denmark, 9 November 1971])
Twitter @HerbertEkweEkwe
Thursday, 19 October 2017
ReferendumPathtoBiafraFreedom...
Herbert Ekwe-Ekwe
ReferendumPathtoBiafraFreedomReferendumPathtoBiafraFreedomReferendumPathtoBiafraFreedomReferendumPathtoBiafraFreedomReferendumPathtoBiafraFreedomReferendumPathtoBiafraFreedom
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(John Coltrane Quartet, “Resolution” {part-II of A Love Supreme suite} [personnel: Coltrane, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 9 December 1964])
Twitter @HerbertEkweEkwe
73rd birthday of Peter Tosh
CELEBRATED self-developed musician and Rastafarian who plays a seminal role, beginning in the 1960s, to transform reggae, Jamaica-originated music genre, into an international cultural movement engaged in opposition to centuries of African peoples’ subjugation and all other forms of oppression, and for the promotion of a fairer, equal forms of human relations across the board, offering his prodigious compositional output to the goal, especially: “Get up, Stand up”, “400 years”, “Equal rights”, “Love”, “No sympathy”, “Mama Africa”, “No nuclear war”, “Africa”, “African”, “Here comes the sun”, “Sun valley”, “Creation”, “Oppressor man”, “(You gotta walk and) don’t look back”, “Vampire”, “Apartheid”, “Why must I cry?”, “Go tell it on the mountain”, “You can’t fool me again”, “Keep on moving”(Born 19 October 1944, Grange Hill, Jamaica)
400 YEARS (400 years, 400 years. Wo-o-o-o)(Peter Tosh: ... “400 years”, 1975)
And it’s the same –
The same (wo-o-o-o) philosophy
I’ve said it’s four hundred years;
(400 years, 400 years. Wo-o-o-o, wo-o-o-o)
Look, how long (wo-o-o-o)
And the people they (wo-o-o-o) still can’t see
Why do they fight against the poor youth of today?
And without these youths, they would be gone –
All gone astray
Come on, let’s make a move:
(make a move, make a move. Wo-o-o-o, wo-o-o-o)
I can (wo-o-o-o) see time (wo-o-o-o) - time has come
And if-a fools don’t see
(fools don’t see, fools don’t see. Wo-o-o-o)
I can’t save the youth:
The youth (wo-o-o-o) is gonna be strong
So, won’t you come with me;
I’ll take you to a land of liberty
Where we can live – live a good, good life
And be free
The same (wo-o-o-o) philosophy
I’ve said it’s four hundred years;
(400 years, 400 years. Wo-o-o-o, wo-o-o-o)
Look, how long (wo-o-o-o)
And the people they (wo-o-o-o) still can’t see
Why do they fight against the poor youth of today?
And without these youths, they would be gone –
All gone astray
Come on, let’s make a move:
(make a move, make a move. Wo-o-o-o, wo-o-o-o)
I can (wo-o-o-o) see time (wo-o-o-o) - time has come
And if-a fools don’t see
(fools don’t see, fools don’t see. Wo-o-o-o)
I can’t save the youth:
The youth (wo-o-o-o) is gonna be strong
So, won’t you come with me;
I’ll take you to a land of liberty
Where we can live – live a good, good life
And be free
Look how long: 400 years, (400 years, 400 years) –
Way too long! (wo-o-o-o)
That’s the reason my people (wo-o-o-o) - my people can’t see
Said, it’s four hundred long years – (400 years, 400 years. Wo-o-o-o)
Give me patience (wo-o-o-o) – same philosophy
It’s been 400 years, (400 years, 400 years)
Wait so long! Wo-o-o-o, wo-o-o-o
How long? 400 long, long years
Way too long! (wo-o-o-o)
That’s the reason my people (wo-o-o-o) - my people can’t see
Said, it’s four hundred long years – (400 years, 400 years. Wo-o-o-o)
Give me patience (wo-o-o-o) – same philosophy
It’s been 400 years, (400 years, 400 years)
Wait so long! Wo-o-o-o, wo-o-o-o
How long? 400 long, long years
(lyrics: “400 years”)
’Cause you know most people think
A great God will come from the skies
Take away everything
And left everybody dry
But if you know what life is worth
Then you would look for yours on earth
And now you see the light
We gonna stand up for your rights
Get up, stand up
Stand up for your rights
Get up, stand up
Don’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
We’re sick and tired of this game of technology
Humbly asking Jesus for his mercy
We know and we know and understand
Almighty Jah is a living man
You fool some people sometimes
But you can’t fool all the people all the time
And now we see the light
We gonna stand up for our rights
Twitter @HerbertEkweEkwe
(Peter Tosh: ... “Oppressor man”, 1977)
GET UP, stand up(Peter Tosh and 14-piece band, “Get up, Stand up” [Tosh and Bob Marley composition]; recorded: Randy’s Studio, Kingston, Jamaica, 1977)
Stand up for your rights
Get up, stand up
Don’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand up
Don’t give up the fight
You, preacher man, don’t tell me
Heaven is under the earth
You, a duppy and you don’t know
What life is really worth
It's not all that glitter is gold
And half the story has never been told
So now we see the light
We gonna stand up for your rights, come on
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
Get up, stand up
Don’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand up
Don’t give up the fight
You, preacher man, don’t tell me
Heaven is under the earth
You, a duppy and you don’t know
What life is really worth
It's not all that glitter is gold
And half the story has never been told
So now we see the light
We gonna stand up for your rights, come on
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
’Cause you know most people think
A great God will come from the skies
Take away everything
And left everybody dry
But if you know what life is worth
Then you would look for yours on earth
And now you see the light
We gonna stand up for your rights
Get up, stand up
Stand up for your rights
Get up, stand up
Don’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
We’re sick and tired of this game of technology
Humbly asking Jesus for his mercy
We know and we know and understand
Almighty Jah is a living man
You fool some people sometimes
But you can’t fool all the people all the time
And now we see the light
We gonna stand up for our rights
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
Stand up for your rights
Get up, stand upDon’t give up the fight
Get up, stand up
Stand up for your rights
Get up, stand upDon’t give up the fight
(lyrics: “Get up, stand up”)
Wednesday, 18 October 2017
Indigenous People of Biafra – inexorable march to freedom
Herbert Ekwe-Ekwe
THANKS to the past
two years’ extraordinarily imaginative work on the ground in Biafra and overseas
by the Indigenous People of Biafra, led by Nnamdi Kanu, the Biafra freedom
movement has now moved the Biafra restoration-of-independence quest inexorably
on the path of fruition. Never, since the beginning of the Hausa-Fulani/islamist-led genocidist Nigeria’s occupation
of Biafra on 13 January 1970, has the resistance been so assured that it has
found this trajectory to victory.
IT IS precisely
this breakthrough that explains the dire straits of desperation that the
genocidist regime and its grouping of quislings-of-occupation find themselves
presently: shooting Igbo youth at sight … forcefully vaccinating Igbo school
children at sight with unknown “vaccines” … shooting Igbo youth at sight …
forcefully vaccinating Igbo school children at sight with unknown “vaccines” …
(John Coltrane Quartet, “Psalm” {part-IV of A Love Supreme suite} [personnel: Coltrane, tenor saxophone; McCoy Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 9 December 1964])
Twitter @HerbertEkweEkwe
Monday, 16 October 2017
PROFILE: Chi-chi Nwanoku, bassist, professor of double bass historical studies, Royal Academy of Music London, and founder of Chineke! Foundation
(Chi-chi Nwanoku)
(… critically-acclaimed bassist)
(Professor Nwanoku is here interviewed by Sergio Mims, Arise News, 12 May 2015)
Twitter @HerbertEkweEkwe
Sunday, 15 October 2017
79th birthday of Fela Anikulapo-Kuti
(Born 15 October 1938, Abeokuta, Nigeria)
Herbert Ekwe-Ekwe
CELEBRATED Afro-beat musician, bandleader and one of just a handful of genocidist Nigeria public figures, particularly in the Lagos and west region of Awolowoist/Awolowoid/Adekunleist agglomeration of Igbo genocide perpetrators and/or denialists, who consistently and unequivocally condemns the Igbo genocide (as he evocatively reminds the world in his authorised biography, Carlos Moore, Fela: The Bitch of a Life, Lawrence Hill, 2009: 47-49: “The Biafrans were right … That’s evident now … The I[g]bo were right … The Biafrans were f***ing right to secede...”), untiringly and expansive critic of regimes in “post”-Igbo genocide age-of-pestilence Nigeria, employing the expressive lyrics of his myriads of compositions and the operatic drive of his orchestra to assail genocidist sergeants and “generals” and corporals and “colonels” and financiers and politicians and their cohorts who control and wheel and deal in the kakistocratic lair that calls itself Nigeria
CELEBRATED Afro-beat musician, bandleader and one of just a handful of genocidist Nigeria public figures, particularly in the Lagos and west region of Awolowoist/Awolowoid/Adekunleist agglomeration of Igbo genocide perpetrators and/or denialists, who consistently and unequivocally condemns the Igbo genocide (as he evocatively reminds the world in his authorised biography, Carlos Moore, Fela: The Bitch of a Life, Lawrence Hill, 2009: 47-49: “The Biafrans were right … That’s evident now … The I[g]bo were right … The Biafrans were f***ing right to secede...”), untiringly and expansive critic of regimes in “post”-Igbo genocide age-of-pestilence Nigeria, employing the expressive lyrics of his myriads of compositions and the operatic drive of his orchestra to assail genocidist sergeants and “generals” and corporals and “colonels” and financiers and politicians and their cohorts who control and wheel and deal in the kakistocratic lair that calls itself Nigeria
Twitter @HerbertEkweEkwe(Fela Ransome-Kuti and the Africa 70, “Everything Scatter” [recorded: LP Nigeria, Coconut PMLP1000, 1975])
Saturday, 14 October 2017
Genocidist Nigeria: Where is Nnamdi Kanu? Where are Nnamdi Kanu’s parents?
(Nnamdi Kanu and his loving parents)
Herbert Ekwe-Ekwe
TODAY marks one
month since the 14 September 2017 genocidist Nigeria military stormed the home
of Nnamdi Kanu’s parents at Afaraukwu-Ibeku, eastcentral Biafra. Consequently,
the whereabouts of Nnamdi Kanu, the leader of the Indigenous People of
Biafra (constituted integrally in the Biafra freedom
movement), and his parents, remain unknown. Scores of the Kanus’ relatives
and friends were murdered during the assault and scores of others are still
unaccounted for.
GENOCIDIST Nigeria surely knows that it will account for the safety of Nnamdi Kanu and his parents and take full responsibility of the consequences of that savage raid on a family home.
GENOCIDIST Nigeria surely knows that it will account for the safety of Nnamdi Kanu and his parents and take full responsibility of the consequences of that savage raid on a family home.
(The New York Contemporary Five, “Consequences” [personnel: Archie Shepp, tenor saxophone; Don Cherry, pocket trumpet; John Tchicai, alto saxophone; Don Moore, bass; JC Moses, drums; recorded: live, Jazzhus Montmarte, Copenhagen, Denmark, 15 November 1963])
Twitter @HerbertEkweEkwe
Friday, 13 October 2017
108th birthday of Art Tatum
(Born 13 October 1909, Toledo, Ohio, US)
Piano virtuoso, arguably the most influential jazz pianist in history
(Art Tatum Trio, “Blues in C” [personnel: Tatum, piano; Benny Carter, alto saxophone; Louie Bellson, drums; recorded: Pablo Group, New York, US, 25 June 1954])
Twitter @HerbertEkweEkwe
115th birthday of Arna Bontemps
(Born 13 October 1902, Alexandria, Louisiana, US)
AWARD-WINNING prolific poet, novelist, children’s writer, editor, biographer, historian, and librarian, whose work plays a cardinal role in the emergence of contemporary African American letters
(Andrew Hill Quartet, “Cantarnos” [personnel: Hill,
piano; Joe Henderson, tenor saxophone; Richard Davis,
bass; Roy Haynes, drums; recorded: Van Gelder Studio, Englewood
Cliffs, NJ, US, 8 November 1963])
Twitter@HerbertEkweEkweThursday, 12 October 2017
FOR THE RECORD: Four compelling views on the ongoing genocidist Nigeria military’s mandatory vaccination of Igbo school children in regions across (occupied) Biafra with unknown “vaccine(s)”
Herbert Ekwe-Ekwe
THE FOLLOWING views, posted here completely
unedited, are derived from the Facebook wall of each commentator except that
of Dr Chin Akano’s which comes from Carol Munday’s wall:
Chin Akano (medical doctor)
I have seen a few video clips and posts regarding the so called charitable immunisation exercise allegedly being carried out by soldiers in Anambra. I have also heard that children are being immunised without parental consent.
To me this is criminal. It can only happen in a primitive country. For starters you cannot immunise a child without parental or guardian consent. It’s child abuse and assault. Secondly you must know a child’s immunisation history before you administer a vaccine to avoid repeating those that the child has already developed immunity against, unless a serological test confirmed that the immunity is absent or partial. Also some children may have allergies which could lead to fatal outcomes if they are vaccinated. You cannot also vaccinate an ill child and some vaccines contain live organisms which can cause fever and even febrile convulsion if unchecked, so the parents need to be properly counselled prior to vaccinating their wards. Pls this barbaric and unsolicited nonsense must stop pronto.
Chikwendu
Anyanwu (Catholic priest and commentator)
A constrictor cannot be a lifesaver. So it is reasonable to reject anything medical from a python.
George C E Enyoazu (social critic)
One of the numerous problems of Nigeria is the systematic assigning of the wrong job to the wrong people. A trained engineer is encouraged to do the job of a medical doctor or a lawyer. In the same vein, someone without a vocational training at all is assigned the job of an automobile mechanic or a carpenter. Thus, the military who ordinarily should mark the external enemy have found themselves with no job of substance to do, hence, they find their way into national politics, producing misleaders, such as Buhari. Because the army and other segments of the armed forces are idle, they are programmed to kill and brutalize hapless citizens as we've seen in the ill-fated Oppression Python Dance II in the South East.
As if they were not satisfied with the scale of damage and destruction inflicted on the Igbo civilian population, the army started forcing their way into schools in the region, claiming that they were there for a free medical mission to pupils. The most irritating of this uncouth imposture is forcing little kids at gun point to be vaccinated. The question has been why the forced vaccination? When did the job of the Ministry of Health become that of the army, especially an army with a notoriety for killing Igbo youths under the flimsiest guise? Flashback to my childhood days. The Health authorities announced a periodic inoculation exercise for kids. Parents would willingly take their wards to the designated centres. This was done devoid of any force, coercion, threat or bullish intrusion into the private lives of families. Every parent realised it was in the child's interest to be inoculated. So, we all got the jab on the upper arm. The scar remains till date. Contrary to today's Ministry of Health doing the job, the army who are in a killing field in Biafraland have suddenly extended their obnoxious services to inoculating our children without our consent; whether we like it or not.
What sort of repressive society is this? Whose idea was it?Interestingly, the Imo State Chapter of the Nigerian Medical Association has risen to the occasion by faulting the so-called army inoculation, and advised parents and schools not to submit to that. Very succinct to the letter. Embarrassed by the pandemonium it has caused as pupils and their parents were running helter skelter to avoid it in Anambra State, the unusual voice of the State governor, Willie Obiano was heard asking the army to suspend the exercise, pending enough sensitization. One begins to imagine that an Igbo governor could now advise the army to stop! But when our youth were being mauled to death by army bullets in Asaba, Nkpor and Abia State, no Igbo governor could raise a finger of protestation. No Igbo politician advised the ruthless army to hold back. The good news though is that the Igbo populace have zero-trust where the Nigerian Army are concerned. Any politician who thinks that a sensitization exercise would be a fore-runner of an army inoculation exercise on our children should please get real. An Igbo adage says, “the lizard marks the footsteps of those who would pelt it”. In this era of unconscionable terror of Fulani herdsmen, and 97% versus 5% voting pattern, monkeypox and army rampage in the East, everyone should concentrate on their vocational training. Army's vaccination in the East is ill-willed!
Osita Ezeliora (academic)
Only a lunatic would suggest that Nd’Igbo should go for any form of vaccination from a hateful regime that only weeks ago murdered our sons in broad daylight. Only a monumental idiot would advise onye Igbo obuna to accept possibly poisoned chemicals when only recently our children were suffocated in mud water while many others were brutally shot dead… Any clown of a priest that tells parents to go for any vaccination at this stage deserves the combined visitation of Amadioha, Udo and Ogwugwu... And even more: the visitation of angry Igbo mob. Ndi aruru ana kagbulu onwe fa n’uka!!!!
(The New York Contemporary Five plays Don Cherry’s composition, “Consequences” [personnel: Archie Shepp, tenor saxophone; Cherry, pocket trumpet; John Tchicai, alto saxophone; Don Moore, bass; JC Moses, drums; recorded: live, Jazzhus Montmarte, Copenhagen, Denmark, 15 November 1963])
Twitter @HerbertEkweEkwe
109th birthday of Ann Petry
(Born 12 October 1908, Old Saybrook, Connecticut, US)
(pt-I)
(pt-II)
Twitter @HerbertEkweEkwe(Alice Coltrane Sextet featuring Pharoah Sanders, “Isis and Osiris” [personnel: Coltrane, harp, piano; Sanders, soprano saxophone, percussion; Charlie Haden, bass; Vishnu Wood, oud; Rashied Ali, drums; recorded: live, Village Gate, New York, US, 4 July 1970])
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