Rethinking Africa is a forward looking blog dedicated to the exchange of innovative thinking on issues affecting the advancement of African peoples wherever they are. We provide rigorous and insightful analyses on the issues affecting Africans and their vision of the world.
Herbert Ekwe-Ekwe Pianist, bandleader, prolific composer whose output, arrangements and The Arkestra’s performances are influenced profoundly by Kemetic philosophical, astronomical and aesthetic conceptions
(Sun Ra and his Myth Science Arkestra, “Space aura” [personnel: Sun Ra, piano, George Hudson, trumpet; percussion; Marshall Allen, alto saxophone, bells; John Gilmore, tenor saxophone, percussion; Ronnie Boykins, bass, percussion; Jon Hardy, drums; recorded: Saturn, Chicago, US, [?] October 1960])
Pianist, bandleader, prolific composer whose output, arrangements and The Arkestra’s performances are influenced profoundly by Kemetic philosophical, astronomical and aesthetic conceptions
(Sun Ra and his Myth Science Arkestra, “Space aura” [personnel: Sun Ra, piano, George Hudson, trumpet; percussion; Marshall Allen, alto saxophone, bells; John Gilmore, tenor saxophone, percussion; Ronnie Boykins, bass, percussion; Jon Hardy, drums; recorded: Saturn, Chicago, US, [?] October 1960])
Pianist, bandleader, prolific composer whose output, arrangements and The Arkestra’s performances are influenced profoundly by Kemetic philosophical, astronomical and aesthetic conceptions
(Sun Ra and his Myth Science Arkestra, “Space aura” [personnel: Sun Ra, piano, George Hudson, trumpet; percussion; Marshall Allen, alto saxophone, bells; John Gilmore, tenor saxophone, percussion; Ronnie Boykins, bass, percussion; Jon Hardy, drums; recorded: Saturn, Chicago, US, [?] October 1960])
Pianist, bandleader, prolific composer whose output, arrangements and The Arkestra’s performances are influenced profoundly by Kemetic philosophical, astronomical and aesthetic conceptions
(Sun Ra and his Band from Outer Space, “Space aura” [personnel: Sun Ra, piano, clavioline; Teddy Nance, trombone; Ali Hassan, trombone; Robert Cummings, bass clarinet; Pat Patrick, baritone saxophone, flute, percussion; Marshall Allen, alto saxophone, oboe, flute, piccolo, percussion; John Gilmore, tenor saxophone, percussion; Ronnie Boykins, bass; Clifford Jarvis, drums; James Jacson, log drums, flute, percussion; Carl Nimrod Malone, sun horn, gong, percussion; recorded, live, University of Buffalo, [?] May 1966])
Herbert Ekwe-Ekwe is specialist on the state and on genocide & wars in Africa in the post-1966 epoch – beginning with the Igbo genocide, 29 May 1966-present day, the foundational and most gruesome genocide of post-(European)conquest Africa. 3.1 million Igbo or 25 per cent of this nation’s population were murdered by Nigeria and its allies, principally Britain. Africa and the rest of the world largely stood by and watched as the perpetrators enacted this horror most ruthlessly. The world could have stopped this genocide; the world should have stopped this genocide. This genocide inaugurated Africa’s current age of pestilence. During the period, 12 million additional Africans have been murdered in further genocide in Rwanda (1994), Zaïre/DRCongo (variously, since the late 1990s) and Darfur – west of the Sudan – (since 2004) and in other wars in Africa. African peoples have, presently, no other choice but exit/dismantle the extant genocide-state (the bane of their existence & progress) & construct own nation-centred states that serve their interests. He is author of several books & papers on the subject and his new book is entitled The longest genocide – since 29 May 1966 (2019).
