Showing posts with label Alice Coltrane Quintet. Show all posts
Showing posts with label Alice Coltrane Quintet. Show all posts

Friday, 6 July 2018

81st birthday of Bessie Head

(Born 6 July 1937, Pietermaritzburg, South Africa)
Herbert Ekwe-Ekwe

ARGUABLY Botswana’s leading writer whose critically acclaimed publications include the novels When Rain Clouds Gather (1968), Maru (1971) and A Question of Power (1973) and the historical study, Serowe: Village of the Rain Wind (1981)
(Alice Coltrane Quintet, “Isis and Osiris” {1&2} [personnel: Coltrane, harp; Pharoah Sanders, soprano saxophone, percussion; Charlie Haden, bass; Vishnu Wood, oud; Rashied Ali, drums; recorded: live, The Village Gate, New York, US, 4 July 1970])
Twitter @HerbertEkweEkwe

Friday, 29 December 2017

94th birthday of Cheikh Anta Diop

(Born 29 December 1923, Caytou, Sénégal)
Herbert Ekwe-Ekwe

MATHEMATICIAN, physicist, linguist, anthropologist, philosopher, historian and Egyptologist, demonstrates, most copiously in his near-40 years of research (beginning in the 1940s) and publication of papers and books, especially Nations Nègres et Culture, 1955 (English translation: African Origin of Civilization, 1974), L’unité culturelle de l’Afrique noire, 1959 (English: The Cultural Unity of Black Africa: The Domains of Matriarchy & Patriarchy in Classical Antiquity, 1989)  and Civilisation ou barbarie, 1981 (English: Civilization or Barbarism, 1991), that Kemet, “ancient Egypt”, is an African civilisation and that African peoples are the indisputable heirs to its heritage
Cheikh Anta Diop,  African Origin of Civilization (Chicago: Chicago Review, 1989), 336 pp, US$11.30/£10.73 pbk
Cheikh Anta Diop, Civilization or Barbarism (Chicago: Lawrence Hill, 1991), 464 pp, US$15.64/£15.49 pbk

FOR AN ASSESSMENT of Cheikh Anta Diop’s  salient contribution to the scholarship of the African World, see, for instance, Herbert Ekwe-Ekwe, Readings from Reading: Essays on African Politics, Genocide, Literature (Dakar & Reading: African Renaissance, 2011), pp.7-11. 
(Alice Coltrane Quintet, “Blue Nile” [personnel: Coltrane, harp; Joe Henderson, alto flute, Pharoah Sanders, alto flute; Ron Carter, bass; Ben Riley, drums; recorded: Coltrane home studios, Dix Hills, New York, US, 26 January 1970])
Twitter @HerbertEkweEkwe

Thursday, 6 July 2017

80th birthday of Bessie Head

(Born 6 July 1937, Pietermaritzburg, South Africa)
Arguably Botswana’s leading writer whose critically acclaimed publications include the novels When Rain Clouds Gather (1968), Maru (1971) and A Question of Power (1973) and the historical study, Serowe: Village of the Rain Wind (1981)
(Alice Coltrane Quintet, “Isis and Osiris” {1&2} [personnel: Coltrane, harp; Pharoah Sanders, soprano saxophone, percussion; Charlie Haden, bass; Vishnu Wood, oud; Rashied Ali, drums; recorded: live, The Village Gate, New York, US, 4 July 1970])
Twitter @HerbertEkweEkwe


Friday, 13 January 2017

86th birthday of Flora Nwapa

(Born 13 January 1931, Ugwuta, Biafra)
Okee nwanyi mmadu, first African (continental) woman published novelist – Efuru, 1966, and, soon after, Idu, which she begins to work on at the onset of the Igbo genocide (mid-1966) and later publishes in 1970; her landmark works as well as those of sociologist Kamene Okonjo’s open up the expanse of possibilities in Igbo Women/African World Studies within which the scholarship, artistry and writings of subsequent generations of intellectuals, working worldwide, have flourished immensely
(Alice Coltrane Quintet, “Mantra” [personnel: Coltrane, piano; Pharoah Sanders, tenor saxophone (heard on the right channel and takes the second saxophone solo); Joe Henderson, tenor saxophone (takes the first saxophone solo and heard on the left channel); Ron Carter, bass; Ben Riley, drums; recorded: Coltrane home studio, Dix Hills, New York, US, 26 January 1970])
Twitter @HerbertEkweEkwe

Thursday, 29 December 2016

93rd birthday of Cheikh Anta Diop

(Born 29 December 1923, Caytou, Sénégal)
Mathematician, physicist, linguist, anthropologist, philosopher, historian and Egyptologist, demonstrates, most copiously in his near-40 years of research (beginning in the 1940s) and publication of papers and books, especially Nations Nègres et Culture, 1955 (English translation: African Origin of Civilization, 1974), L’unité culturelle de l’Afrique noire, 1959 (English: The Cultural Unity of Black Africa: The Domains of Matriarchy & Patriarchy in Classical Antiquity, 1989)  and Civilisation ou barbarie, 1981 (English: Civilization or Barbarism, 1991), that Kemet, “ancient Egypt”, is an African civilisation and that African peoples are the indisputable heirs to its heritage
Cheikh Anta Diop,  African Origin of Civilization (Chicago: Chicago Review, 1989), 336 pp, US$11.30/£10.73 pbk
Cheikh Anta Diop, Civilization or Barbarism (Chicago: Lawrence Hill, 1991), 464 pp, US$15.64/£15.49 pbk

For an assessment of Cheikh Anta Diop’s  salient contribution to the scholarship of the African World, see, for instant, Herbert Ekwe-Ekwe, Readings from Reading: Essays on African Politics, Genocide, Literature (Dakar & Reading: African Renaissance, 2011), pp.7-11. 
(Alice Coltrane Quintet, “Blue Nile” [personnel: Coltrane, harp; Joe Henderson, alto flute, Pharoah Sanders, alto flute; Ron Carter, bass; Ben Riley, drums; recorded: Coltrane home studios, Dix Hills, New York, US, 26 January 1970])
Twitter @HerbertEkweEkwe