African World – history and geography
RETHINKING AFRICA focuses and discusses the multifaceted stream of socioeconomic and cultural heritage that encapsulates 6000 years of African history: from Kemet (“ancient Egypt”) to Biafra, from ancient Ghana (contemporary Sénégal, Guinea-Bissau, Mauritania, part of west Mali) to Gĩkũyũland and Ethiopia of east Africa, from the Atlas Mountains of the north to South Africa, from Canada and the United States to Uruguay and Brazil, from Panama/Jamaica/Haiti/Cuba across the Caribbean to Trinidad/St Lucia/St Kitts & Nevis/Barbados, from Colombia/Venezuela to Guyana/Surinam, from Britain/Europe to Australasia…
Rethinking Africa is a rigorously studious reference and dependable companion as ever.
In Rethinking Africa, African World history is live, continuous, daily, now – not just seasonal! Visit Rethinking Africa daily, all year round, and explore its vast archive which includes commentaries, essays, reports/reviews of publications, conferences, seminars, debates, lectures, concerts, festivals... and snap biographical sketches on persons and anniversaries of occurrences across the African World that are at once succinct profiles and earmarked opportunities for further reading, analysis, research:
1. Here, the African, Africans – wherever they are in the world (African continent, African American, African British, African Caribbean, African Mexican, African Venezuelan, African French, African Brazilian, African Spanish, African Canadian, African Indian, African Portuguese, etc., etc), are subject and agency in history. African peoples are definitely not some racist epithets, tags and stereotyping often referenced cavalierly in the West and elsewhere as “ethnic”, “ethnic minority”, “black and ethnic minority”, “coloured”/“n”/“t” and the threesome poisoned terms’ other linguistic derivatives, etc., etc. As many are surely aware, the myriads of these typologisations have been the hallmark of both European World and (earlier) Arab/muslim post-conquest sociological constructions to essentially dehistoricise and thus dehumanise African peoples.
2. Find out, for instance, why the survival of the Igbo people of Biafra (southwestcentral Africa) from the three phases of the genocide of 29 May 1966-12 January 1970, the foundational genocide of post-(European)conquest Africa, executed jointly by
3. Why are Nelson Mandela and Chinua Achebe the dual-colossi of 20th century/21st century African renaissance?
(Nelson Mandela: ... Colossus)
4. As film director Steve McQueen and actor Chiwetel Ejiofor remind the world of the perspicuity of African resistance in the enslaved emplacements of the United States in 12 Years (2014), what does CLR James’s classic, Black Jacobins (1938), tell us about that historic African uprising in the west Caribbean of the late 18th century/early 19th century? Does Saint Domingue teach the world anything presently? What? What is the title of another classic on African enslavement in the(Chinua Achebe: ... Colossus)
5. What are James Baldwin’s and Toni Morrison’s contributions to African American letters and history?
6. Why is Kenneth Onwuka Dike’s reconstructionary scholarship on African history so seminal?
7. What does “civil war” really mean? (http://re-thinkingafrica.blogspot.com.br/2013/09/what-is-civil-war.html) and why is “sub-Sahara
8. What epistemology does Flora Nwapa inaugurate in 1966 when she publishes the novel, Efuru?
9. What identical every day-used, important personal product does 20th century/21st century philosopher Cornel West share with men and women of Kemet – 5000 years ago?
10. Why is the role of Cheikh Anta Diop’s near-40 years of scholarship on Kemet of such vital importance?
11. How has agriculture played a crucial role in the development of African civilisations across the continent’s regions and epochs?
12. What is the extent of the research and inventions of George Washington Carver to contemporary society, worldwide?
13. What business does 20th continental African entrepreneur Louis-Philip Ojukwu share with 19th century African American entrepreneur Paul Cufee?
14. What is the “Berlin-state” in
15. What compelling lessons on the African-in-the-world-today do we learn from the January 2015 Boko Haram (currently the world’s most ruthless terrorist organisation, according to the Institute of Economics & Peace [http://www.abc.net.au/news/2015-11-17/global-terrorism-index-increase/6947200, accessed 7 December 2015])
islamist insurgent attack on Baga, northeast Nigeria, in which the group murdered 2000 townspeople? (http://re-thinkingafrica.blogspot.co.uk/2015/01/baga-paris-two-massacres-contrasting.html)
In a word, what is it about the African that is the central preoccupation in the lives and work of the following intellectuals? Olaudah Equiano, Nelson Mandela, Martin Luther King, Chinua Achebe, Ida B Wells, CLR James, Christopher Okigbo, Toni Morrison, Malcolm X, Léopold Sédar Senghor, James Baldwin, Louis Mbanefo, Alain Locke, Kenneth Onwuka Dike, Arthur Schomburg, WEB Du Bois, Duke Ellington, Sojourner Truth, Ignatius Sancho, Charlotte Gardens, Claude McKay, Chukwuemeka Odumegwu-Ojukwu, Frederick Douglass, Mary Seacole, Daniel Hale Williams, Carter G Woodson, Patrice Lumumba, Edward Kamau Brathwaite, Eubie Blake, Maulana Karenga, Cheikh Anta Diop, Akanu Ibiam, Louis Armstrong, Flora Nwapa, Thelonious Monk, Théophile Obenga, Paul Robeson, Ann Petry, Fela Anikulapo-Kuti, Edward Wilmot Blyden, Amilcar Cabral, Langston Hughes, Tchicaya U Tam’si, Palmer Hayden, Samuel Coleridge-Taylor, Mordecai Wyatt Johnson, Horace Pipping, Nicolás Guillén, Aimé Césaire, Kwame Nkrumah, Margaret Danner, Ladipo Solanke, Frantz Fanon, Martin Delaney, Chike Obi, Dean Dixon, Ossie Davis, Julius Nyerere, Noble Lee Sissle, Felix Oragwu, Agostinho Neto, Charlie Parker, Bessie Head, Pius Okigbo, Ruby Dee, Maurice Bishop, Nikki Giovanni, Emmanuel Obiechina, Kofi Awoonor, Chancellor Williams, Léon-Gontran Damas, Gwendolyn Brooks, Percy Lavon Julian, Eric Williams, Mbonu Ojike, Mahaila Jackson, Charles Drew, Okot p’Bitek, Billie Holiday, Theophilus Enwezor Nzegwu, George Lamming, Sterling Brown, Adiele Afigbo, George Russell, Arna Bontemps, Sydney Poitier, Margaret Walker, John Coltrane, Steve Biko, Era Bell Thomson, E Franklin Frazier, Alexander Animalu, Charles Mingus, Alioune Diop, George Bridgetower, Michael Echeruo, Ornette Coleman, Ngũgĩ wa Thiong’o, Don Cherry, Constance Baker Motley, Stevie Wonder, Benedict Obumselu, Grace Ogot, Molefi Kete Asante, Ivan Van Sertima, Funmilayo Ransome-Kuti, Countee Cullen, James Brown, Paul Revere Williams, Harriet Tubman, Ray Charles, Sonia Sanchez, George Washington Carver, Walter Rodney, JJ Johnson, Mariama Bâ, Paul Chambers, Cornel West, Bede Okigbo, Miles Davis, George James, Max Roach, John Henrik Clarke, Elvin Jones, Amiri Baraka, Ama Ata Aidoo, JC Moses, McCoy Tyner, Peter Tosh, Sonny Simmons, Andrew Hill, Ousmane Sembéne, Paule Marshall, Wynton Kelly, Adu Boahen, Eric Dolphy, John Tchicai, Obiora Udechukwu, Clifford Jordan, Jewel Plummer Cobb, Jaki Byard, Lerone Bennett, Prince Lasha, Mal Waldron, Abbey Lincoln, Danny Glover, Bob Marley, Horace Silver, Arthur Agwuncha Nwankwo, Oscar Peterson, Mariamba Ani, Dannie Richmond, Uzo Egonu, Eddie Khan, Gani Fawehinmi, Johnny Coles, Ayi Kwei Armah, Archie Shepp, Ifeanyi Menkiti, Richard Williams, Faye Harrison, Ihechukwu Madubuike, Ray Brown, Archie Mafeje, Ishmael Reed, Dudu Pukwana, Mĩcere Gĩthae Mũgo, Valentine Mudimbe, Wangari Maathai, Bob Marley, Simon Gikandi, Herbie Hancock, Jimmy Garrison, Kwame Anthony Appiah, Ed Thigpen, Carole Boyce Davies, Spike Lee, Zeal Onyia, Denzel Washington, Hilary Beckles, David Murray, Esiaba Irobi, Thomas Sankara, Rita Dove, Tony Medina: Freedom
(Max Roach Sextet, “Freedom day” [personnel: Roach, drums; Abbey Lincoln, vocals; Booker Little, trumpet; Julian Priester, trombone; Walter Benton, tenor saxophone; James Schenk, bass; recorded: Nola Penthouse Sound Studio, New York, US, 31 August/6 September 1960)Twitter @HerbertEkweEkwe