Sunday, 28 May 2017

83rd birthday of Betty Shabazz

(Born 28 May 1934, PinehurstGeorgia [?]/DetroitMichUS)
Outstanding freedom exponent, academic, university administrator

Twitter @HerbertEkweEkwe

Friday, 26 May 2017

91st birthday of Miles Davis

(Born 26 May 1926, Alton, Illinois, US)
Trumpeter, composer, bandleader, innovative musical genius whose First Great Quintet & Sextet (1955-1958) and Second Great Quintet (1964-1968), as well as the later independent careers of each and everyone in these ensembles – tenor saxophonists John Coltrane and Wayne Shorter, altoist Julian “Cannonball” Adderley, pianists Wynton Kelly, Bill Evans and Herbie Hancock, bassists Paul Chambers and Ron Carter, and drummers Jimmy Cobb and Tony Williams  – plays a critically contributing role in the phenomenal growth and transformation of jazz, African American classical music, during this historic epoch of African American freedom mission
(Miles Davis & John Coltrane, Live in Stockholm 1960“All blues”/“The theme” [personnel: Davis, trumpet; Coltrane, tenor saxophone; Wynton Kelly, piano; Paul Chambers, bass; Jimmy Cobb, drums; recorded: live, Konserthuset, Stockholm, Sweden, 22 March 1960])
Twitter @HerbertEkweEkwe

Thursday, 25 May 2017

FWD: Mmuo Biafra all over the place...

(O Obusonjo: “The effect of [this] singular achievement of the Air Force especially on 3 Marine Commando Division was profound. It raised morale of all service personnel...”)
Herbert Ekwe-Ekwe

That 51 years almost to the day, Olusegun Obasanjo, a particularly fiendishly ingrained Nigeria genocidist operative would be asking for Biafrans, in some meeting in Abuja (genocidist Nigeria capital), to “be begged” (Vanguard, Lagos, Thursday 25 May 2017) not to march away, exit from genocidist Nigeria on their Biafra freedom goal begun on 29 May 1966. Extraordinary...

ON 5 JUNE 1969, génocidaire Olusegun Obasanjo, then commanding a death squad in south Biafra, ordered his air force to shoot down any Red Cross planes flying in urgently-needed relief supplies to the millions of surviving but encircled, blockaded and bombarded Igbo. Genocidist air force pilot Gbadomosi King duly carried out Obasanjo’s orders. Gbadomosi King shut down a clearly marked, incoming relief-bearing International Committee of the Red Cross (ICRC) DC-7 aircraft near Eket, south Biafra, with the loss of its 3-person crew.

Génocidaire Obasanjo et al will account

Génocidaire Obasanjo’s perverse satisfaction over the aftermath of this crime is grotesquely, chillingly revolting. He writes in his memoirs, appropriately entitled, My Command: “The effect of [this] singular achievement of the Air Force especially on 3 Marine Commando Division [name of the death squad Obasanjo, who subsequently becomes head of Nigeria regime for 11 years, commands] was profound. It raised morale of all service personnel, especially of the Air Force detachment concerned and the troops they supported in [my] 3 Marine Commando Division” (Olusegun Obasanjo, My Command, 1981: 79).

ALL THOSE WHO have been involved in this genocide, this foundational genocide of post-(European)conquest Africa, including particularly génocidaire Olusegun Obasanjo, will account for their role in this crime against humanity. There are no statutes of limitation in international law for the pursuit, apprehension, prosecution, sentencing and conviction of anyone or institutions involved in genocide.

Surely, no one murders the Igbo child, the Igbo woman, the Igbo man and gets away with it. This is the punishing realisation that must have been hunting génocidaire Olusegun Obasanjo as he made his Abuja "speech" earlier today.

51 YEARS LATER, and after its murder of 3.1 million Igbo and tens of thousands more, Nigeria genocidists must quickly come to terms with the following testament: the Igbo have exited genocidist Nigeria – for ever.
(New York Art Quartet plays “Mohawk”, a composition by Charlie Parker [personnel:  John Tchicai, alto saxophone; Roswell Rudd, trombone; Reggie Workman, bass; Milford Graves, drums; recorded: Nippon Phonogram, New York, US, 16 July 1965]) 
Twitter@HerbertEkweEkwe

68th birthday of Jamaica Kincaid

(Born 25 May 1949, St John’s, Antigua)
Versatile novelist (especially Annie John [1985], A small place [1988], Lucy [1990], Mr Potter [2002], See now then [2014]), essayist (especially in the New Yorker, 1976-1996), academic

Twitter @HerbertEkweEkwe

Wednesday, 24 May 2017

As we begin the countdown to Year 51 commemoration of the launch of the Igbo genocide by Britain and Nigeria on Monday 29 May 2017, a reminder of those three engraved words that encapsulate the very unlikely outcome of this most gruesome and devastating studiously premeditated slaughtering of a people not seen in Africa since the 19th century: Igbo people survived


Herbert Ekwe-Ekwe

Igbo survived

IT IS INDEED an extraordinary survival story of history that someone that goes by the name Obiageli, Nkechi, Chinyere, Ifeoma, Amaechi, Nwakaego, Ngozi, Chinelo, Ada, Uzo, Chibundu, Nkemdilim, Chukwuka, Okwuonicha, Chikwendu, Ogonna, Nwafo, Ikechukwu, Onwuatuegwu, Chukwuemeka, Onyekachi, Nnadozie, Okonkwo, Chido, Okafo, Chikwendu, Nkeiiru, Ifeyinwa, Nkemakolam, Ikenga, Uchendu, Okennwa, Nwaoyiri, Okonta, Ukpabi, Amaka, Ofokaaja, Nnamdi, Mbazulike, Chukwuma, Kanayo, Ndukaeze, Chidi, Kamene, Nneka, Onyeka, Osita, Kalu, Ifekandu, Obioma, Chioma, Ndubuisi…  actually walks the face of the earth, today, having survived this programmed sentence of death by Anglo-Nigeria genocidists beginning on 29 May 1966 and through to 12 January 1970. The genocidists murdered the grisly total of 3.1 million Igbo or 25 per cent of this nation
s population during the period.

None of the lead génocidaires of this genocide – Harold Wilson, Benjamin Adekunle, Olusegun Obasanjo, Obafemi Awolowo, Allison Ayida, Ibrahim Haruna, Tony Enaharo, Yakubu Danjuma, Yakubu Gowon, Jeremiah Useni, Oluwole Rotimi… – reckoned in their dire prognosis of the outcome of the 44 months of Igbo slaughtering that they directed and executed that the Igbo stood a chance of surviving. Harold Wilson, then British prime minister who chiefly coordinated the genocide from the comfort of his offices and residence at 10 Downing Street, London, 3000 miles away from Biafra, had notoriously set the pace for his fellows on what he saw as the future of the Igbo when he informed Clyde Ferguson, the United States state department special coordinator for relief to Biafra, that he, Harold Wilson, “would accept a half million dead Biafrans if that was what it took” Nigeria to destroy the Igbo resistance to the genocide (Roger MorrisUncertain Greatness: Henry Kissinger and American Foreign Policy, 1977: 122). 

BY SURVIVING the genocide, the Igbo have not only dramatically repudiated this vile Wilsonian logic of Igbo mass slaughter, but they are poised today, 51 years later, as the Biafra freedom movement has grown inexorably, to resume the interrupted construction of their beloved state of Biafra – the Land of the Rising Sun.
And those that create out of the holocaust of their own inheritance anything more than a convenient self-made tomb shall be known as ‘Survivors’ (single sentence liner note on Keith JarrettThe Survivors’ Suite1976)
(Keith Jarrett’s American QuartetThe Survivors’ Suite {beginning and conclusion} [personnel: Jarrett, piano, soprano saxophone, bass recorder, celeste, drums; Dewey Redman, tenor saxophone, percussion; Charlie Haden, bass; Paul Motian, drums, percussion; recorded: Tonstudio Bauer, Ludwigsburg, Germany, {?} April 1976])
Twitter @HerbertEkweEkwe

85th birthday of Adu Boahen

(Born 24 May 1932, Osiem, Ghana)
One of Africa’s preeminent historians
(Jackie McLean Sextet, “Appointment in Ghana” [personnel: McLean, alto saxophone; Blue Mitchell, trumpet; Tina Brooks, tenor saxophone; Kenny Drew, piano; Paul Chambers, bass; Art Taylor, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 1 September 1960])
Twitter @HerbertEkweEkwe

80th birthday of Archie Shepp

(Born 24 May 1937, Fort Lauderdale, Florida, US)
Tenor saxophonist, composer, bandleader, unrelenting freedom exponent, academic
(Archie Shepp Sextet, “Syeeda’s song flute” [personnel: Shepp, tenor saxophone; Alan Shorter, fluegelhorn; Roswell Rudd, trombone; John Tchicai, alto saxophone; Reggie Workman, bass; Charles Moffett, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 10 August 1964])
Twitter @HerbertEkweEkwe

Monday, 22 May 2017

What the Igbo genocide is and isn’t…


Herbert Ekwe-Ekwe

Quite appositely, we should begin by stating what the Igbo genocide is not. It is definitely not a “civil war” (http://re-thinkingafrica.blogspot.co.uk/2015/07/the-oxymoron-civil-war-is-strange-beast.html); neither is it “Nigeria-Biafra ‘civil war’” nor “first ‘civil war’ in Africa” nor “forgotten genocide” nor “ignored genocide” nor “hidden genocide” nor indeed any of the other tracks of quaint, sanitising, obfuscating, occultating and misleading words and phraseologies bandied about here and there whose proponents, particularly in some sectors in academia, media, conference circuits/discussion platforms, more often than not aim to pursue a hardly disguised project of denialism of this crime against humanity.

Premeditated

On the contrary. The Igbo genocide is a premeditated mass slaughtering of Igbo people, as Igbo people, planned and executed by Britain, Nigeria’s suzerain state headed then by Prime Minister Harold Wilson and Nigeria, Britain’s client state in southwestcentral Africa, a Hausa-Fulani/islamist-led state. 

At the apogee of phase-III of the genocide in 1968-1969, Wilson reminded the world, on record, of what was the end game of this dreadful mission he chiefly directed from the comfort of his residence and office at 10 Downing Street, London, 3000 miles from Biafra. Harold Wilson informed Clyde Ferguson, the United States state department special coordinator for relief to Biafra, that he, Harold Wilson, “would accept a half million dead Biafrans if that was what it took” Nigeria to destroy the Igbo resistance to the genocide (Roger MorrisUncertain Greatness: Henry Kissinger and American Foreign Policy, 1977: 122).

Very much in tune with this Wilsonian logic of Igbo mass slaughter, Benjamin Adekunle, a fiendish Nigeria genocidist commander in south Biafra told a news conference in August 1968, attended mostly by foreign journalists: “I want to prevent even one I[g]bo having even one piece to eat before their capitulation. We shoot at everything that moves, and when our forces march into the centre of I[g]bo territory, we shoot at everything, even at things that don’t move” (The Economist, London, 24 August 1968). 

Olusegun Obasanjo, an equally fiendish genocidist commander in south Biafra, specifically ordered his air force in June 1969 to shoot down any international relief-bearing aircraft flying urgently needed supplies to the encircled, besieged and bombarded Igbo. On the 5th of June, a week after Obasanjo’s infamous orders, Gbadamosi King of the Nigeria genocidist air force shot down a clearly marked, in coming relief-carrying International Committee of the Red Cross DC-7 plane near Eket, south Biafra, with the loss of its 3-person crew. Obasanjo’s perverse satisfaction over the aftermath of this horrendous crime is chillingly revolting as he notes clearly in his memoirs, appropriately entitled My Command: “The effect of [this] singular achievement of the Air Force especially on 3 Marine Commando Division [the notorious unit Obasanjo, who later becomes Nigeria’s head of regime for 11 years, commanded] was profound. It raised morale of all service personnel, especially of the Air Force detachment concerned and the troops they supported in [my] 3 Marine Commando Division” (Olusegun ObasanjoMy Command, 1981: 79).

The principal language used in the prosecution of the genocide is Hausa. Appropriately, the words of the ghoulish anthem of the genocide, published and broadcast on Kaduna radio and television throughout the duration of phases I-III (May 1966-January 1970) of the crime, are in Hausa:

Mu je mu kashe nyamiri
Mu kashe maza su da yan maza su
Mu chi mata su da yan mata su
Mu kwashe kaya su

English translation
Let’s go kill the damned Igbo
Kill off their men and boys
Rape their wives and daughters
Cart off their property 

Elsewhere, Nigerian genocidist documentation on this crime is equally malevolent and brazenly vulgar. A study of the genocide-time/“post”-genocide era interviews, comments, broadcasts and writings on the campaign by key genocidist commanders, commandants and “theorists” and propagandists such as Yakubu Danjuma, Yakubu Gowon, Hassan Katsina, Ibrahim Haruna, Oluwole Rotimi, Obafemi Awolowo, Anthony Enaharo and Allison Ayida underscores the trend. 

Quite auspiciously, the record of those who ordered/executed the Igbo genocide makes no pretences, offers no excuses, whatsoever, about the goal of their annihilative mission – such was the maniacal insouciance and rabid Igbophobia that propelled the project. The génocidaires were not into obfuscating over any spheres associated with their studiously orchestrated goal. The génocidaires stood firmly by the dictates of their assignment. Consequently, students and scholars of this genocide must always be on the alert to challenge anyone, subsequently, who wishes to deny, in any way, this crime of genocide against Igbo people in which its very lead génocidaires, as we have shown, have been openly and distinctly expressive about their mission.

Duo-states genocidists

As the evidence overwhelmingly shows, Britain is the principal agency in the perpetration of the Igbo genocide. Nowhere else in Africa nor indeed the Southern World, during the 1950s-1970s, does any of the seemingly departing European occupying-power in a conquered country effectuate the crime of genocide of a constituent people as a means of safeguarding its strategic interests subsequently as Britain’s sordid record in Nigeria shows. This genocide continues unabated since January 1970 (phase-IV of genocide) with tens of thousands of Igbo murdered across Nigeria but especially in the north region including those massacred by the Boko Haram terrorists and their Fulani militia cousin in the past seven years. No other peoples in Africa have suffered such an extensive and gruesome genocide and incalculable impoverishment in a century as the Igbo. Britain and its client genocide-prosecuting state Nigeria will surely account for this crime against humanity as both states are fully aware, being signatories to the relevant international treaties, that there are no statutes of limitation in international law in the pursuit, apprehension, prosecution and sentencing of individuals and institutions involved in committing genocide. Genocide is a crime against humanity.

The Igbo genocide is the foundational genocide of post-(European)conquest Africa. It inaugurated Africa’s current age of pestilence. The genocide has been studied most expansively subsequently. World Igbo scholars have since pushed the parameters of their studies of the genocide unto the very frontiers of the underlying crucibles on which the European-constructed anti-African peoples “Berlin-State” of contemporary Africa are grounded. Thus, to understand the politics of the Igbo genocide and the politics of the “post”-Igbo genocide is to have an invaluable insight into the salient features and constitutive indices of politics across Africa in the past 51 years. The “Berlin-State” is a bane to African peoples’ existence and progress; it’s a neo-enslavement plantation emplacement formulated by Europe, particularly Britain and France (with their fatuous names – Nigeria, Niger, Chad, Guinea-B, Guinea-C, Guinea-E, whatever!) to perpetuate European World expropriation of legendary African resources in perpetuity. African peoples must exit this state at once to survive and transform their battered inheritances. They have no choice.

Tragically, Africans elsewhere remained largely silent on the gruesome events in Nigeria and so did not foresee the grave consequences of such indifference as subsequent genocides in Rwanda, Darfur, Nuba Mountains, South Kordofan (latter three in the Sudan) and Zaïre/Democratic Republic of the Congo, and in other wars and conflicts in every geographical region of Africa during the period have demonstrated catastrophically: Liberia, Mali, Libya, Egypt, Côte d’Ivoire, Algeria, Sierra Leone, Guinea-Bissau, southern Guinea, Sudan, Ethiopia, Somalia, Uganda, Democratic Republic of the Congo, Republic of the Congo, Burundi, Central African Republic, Nigeria (Boko Haram insurgency in north, northcentral regions). The haunting killing fields have indeed stretched, almost inexorably, from Igboland to the rest of Africa…

Treasure trove

Thankfully, for the interest of posterity, the Igbo genocide, perpetrated by the duo Anglo-Nigeria states, is one of the most documented crimes against humanity. Nothing is “hidden”/“ignored” here! Leading university and public libraries across Europe (particularly in Britain, Ireland, France, the Netherlands, Germany, Switzerland, Italy, Portugal, Denmark and Sweden) and North America have invaluable repositories of books, state papers (including, crucially, hitherto classified material now declassified as part of mandatory timeframe provisions and freedom-to-information legislations), church papers, human rights/anti-genocide/anti-war groups’ campaign papers, reports, photographs and interviews, Red Cross/other third sector papers, reports and photographs, newspaper/newsmagazine/radio/ television/video archives and sole individual depositories, some of which are classified as “anonymous contributors”. 

These data variously include extensive coverage of news and analyses of varying features of the genocide between May 1966 and January 1970 (phases I-III of genocide) as well as still photographs and reels and reels of film footage of the devastating impact of the genocidist’s “starvation weapon” attack on Igbo children and older people, the genocidist air force’s carpet bombings of Igbo population centres (especially refugee establishments, churches, shrines, schools, hospitals, markets, homes, farmlands and playgrounds) and the haunting photographs and associated material that capture the sheer savagery of the slaughter of 100,000 Igbo in north Nigeria towns and villages and elsewhere in parts of west Nigeria (especially Lagos and suburbs, Ibadan, Abeokuta, Oyo, Benin) during phase-I of the genocide in May to October 1966. A stream of these archival references has flowed steadily onto the youtube website as well as other internet outlets and much more material on the genocide will be available online in the months and years ahead.

On the whole, these documentations are a treasure trove for the conscientious scholar and researcher on the genocide. For the would-be prosecutor of the perpetrators of this crime, they couldn’t have wished anything more for that crucial resource base to embark on their historic enterprise. A total of 3.1 million Igbo, or 25 per cent the nation’s population at the time, were murdered in the genocide, the worst in Africa since the 19th century. On the morrow of 44 months of unrelenting slaughtering, Nigeria, the direct perpetrator-on-the-ground, emerges as the undisputed obligatory haematophagous monster in this southwestcentral region of Africa. Its death-march on the Igbo and Igboland was soon relayed, across Africa, as earlier indicated, resulting in the murder of additional 12 million Africans in the subsequent 40 years.
(George Russell Sextet here plays “Nardis”, a composition by Miles Davis [personnel: Russell, piano; Don Ellis, trumpet; Dave Baker, trombone; Eric Dolphy, bass clarinet; Steve Swallow, bass; Joe Hunt, drums; recorded: Riverside Records, New York, 8 May 1961])
Twitter @HerbertEkweEkwe




103rd birthday of Sun Ra

(Born 22 May 1914, Birmingham, Alabama, US)
Pianist, bandleader, prolific composer whose output, arrangements and The Arkestra’s performances are influenced profoundly by Kemetic philosophical, astronomical and aesthetic conceptions
(Sun Ra and his Myth Science Arkestra, “Space aura” [personnel: Sun Ra, piano, George Hudson, trumpet; percussion; Marshall Allen, alto saxophone, bells; John Gilmore, tenor saxophone, percussion; Ronnie Boykins, bass, percussion; Jon Hardy, drums; recorded: Saturn, Chicago, US, [?] October 1960])
Twitter @HerbertEkweEkwe

113th birthday of Fats Waller

(Born 21 May 1904, Harlem, New York, US)
Innovative pianist, comedian, prolific composer/co-composer including such standards as “Jitterbug waltz”, “Honeysuckle rose”, “Ain’t misbehavin’”, “I can’t give you anything but love, baby”, and “Squeeze me”
(Fats Waller, “Ain’t misbehavin’” [personnel: Waller, piano, vocal; recording: Victor Machine Cos Studio 1, Camden, NJ, US, 21 August 1929; details of rest of personnel at the date not available])
(Charles Mingus Sextet – with multiinstrmentalist Eric Dolphy, Cornell University 1964, plays Waller’s “Jitterbug waltz” composition  [personnel: Mingus, bass; Johnny Coles, trumpet; Dolphy, flute; Clifford Jordan, tenor saxophone; Jaki Byard, piano; Dannie Richmond, drums; recorded: live, Cornell University, 18 March 1964])
Twitter @HerbertEkweEkwe

Sunday, 21 May 2017

FWD: Chudi Nnamdi’s witness! Chudi Nnamdi runs for Biafra in the Saturday 20 May 2017 Stockholm Marathon, Sweden – definitely, Chudi Nnamdi hasn’t run under genocidist Nigeria’s flag... Nnamdi, who wins a medal at the tournament, dedicates his achievement appropriately: “I thank Chiukwu Okike Abiama for giving me the strength to represent Biafra in a successful marathon in Stockholm, Sweden today. I dedicate my medal to the Biafran heroes and my prayers shall be … both day and night. All hail our heroes! God bless Biafra!”

(Chudi Nnamdi soon after his historic medal win run under the Biafra flag at the Stockholm Marathon, Sweden, Saturday 20 May 2017)
To underscore, further, the historic significance of Chudi Nnamdi’s decision to run for Biafra, not genocidist Nigeria, see Herbert Ekwe-Ekwe, “Biafra at the Rio 2016 Olympics: A retrospective”, Pambazuka News: Voices for Freedom and Justice, 9 March 2017, 
(https://www.pambazuka.org/democracy-governance/biafra-rio-2016-olympics-retrospective), accessed 12 March 2017.
(Cecil Taylor, “Pontos cantados” [personnel: Taylor, piano; recorded: One night with Blue Note: The historic all-star reunion concert, Town Hall, New York, US, 22 February 1985])
Twitter @HerbertEkweEkwe

Saturday, 20 May 2017

274th birthday of Toussaint L’Ouverture

(Born 20 May 1743, Bréda at Haut de Cap enslaved estate [probably], Saint-Domingue)
Leader of the Haitian Revolution, embarks on the armed mobilisation of tens of thousands of enslaved Africans, beginning 1789, in revolt against French-occupied Saint-Domingue, west Hispaniola, the Caribbean, wealthiest African-enslaved territory of the Americas during the epoch, with the eventual historic 1804 African military victory (against not only France but also the expanded forces of its pan-European allies who come to its aid) when they proclaim the Republic of Haiti
(Mal Waldron Quartet, “Hymn from the inferno” [personnel: Waldron, piano; Clifford Jordan, tenor saxophone; Cecil McBee, bass; Dannie Richmond, drums; recorded: Vanguard Studios, New York, US, 15 November 1981])
 Twitter @HerbertEkweEkwe



Friday, 19 May 2017

Friday 19 May 2017 urgent news focus: Nigeria occupying genocidist brigade in Biafra attack a Biafra women’s conference meeting in Abiriba, east Biafra, stripping several women bare right in the hall of the assembly…

(Friday 19 May 2017: Some of the delegates gather soon after the horrendous assault by Nigeria genocidist brigade of the  Biafra women’s conference meeting in Abiriba, east Biafra)
Herbert Ekwe-Ekwe

If ever the world requires a reminder, this assault on Igbo women conference delegates in Abiriba underscores the definitive stride of the Hausa-Fulani islamist-led Nigeria/British suzerain state genocide against Igbo people. During phases I-III (29 May 1966-12 January 1970), the genocide anthem’s lyrics in Hausa language from its ghoulish sound track, broadcast on Kaduna radio and television state-run radio and television services, are hauntingly stark:

Mu je mu kashe nyamiri
Mu kashe maza su da yan maza su
Mu chi mata su da yan mata su
Mu kwashe kaya su

English translation
Let’s go kill the damned Igbo
Kill off their men and boys
Rape their wives and daughters
Cart off their property

Pointedly, the anthem’s mission and thus the genocide strike at the very heart of  Igboland gender relations for over a millennium – clearly what the cerebral Igbo sociologist Kemena Okonjo has described programmatically as Igbo dual-gender complementarity. This genocide’s annhilative goal is total: Igbo people – the Igbo female and the Igbo male. 

Alas, the genocide perpetrators do not as yet recognise the current often noisy NGO-ish, easy-money churning, essentially grandstanding a-historical discourses in the West World that flag off  “girl-child” and “male-child” binaries in the attempt to engineer the humanity of especially African peoples for envisaged, suggestively catastrophic gender “re-ordering” schemas... For now, the duo Anglo-islamist Nigeria that has murdered Igbo people for the past 51 years, murdering 3.1 million and tens of thousands more, duly acknowledge a composite Igbo humanity and this is what they pursue and the Abiriba attack is encapsulated in that strategy... 

AS USUAL, the Biafran resistance recorded comprehensively all principal Nigerian genocidist troopers (including rank details and formations) who participated in the Abiriba outrage earlier today. These genocidists and their chief, Muhammadu Buhari,do know too clearly that there are no statute of limitations in international law in the apprehension, prosecution, conviction and punishment of anyone or institution involved in the act of committing genocide. 

The Igbo will seek to prosecute all these troopers in Abiriba who attacked Igbo today, Friday 19 May 2017, as well as all those who have committed similar heinous crimes against the Igbo since the genocide was launched on Sunday 29 May 1966.
(Eric Dolphy Septet plays “Naima”, John Coltrane’s classic composition [personnel: Dolphy, bass clarinet; Donald Byrd, trumpet; Nathan Davis, tenor saxophone; Jacques Dieval, piano; Jacques B Hess, bass; Franco Manzecchi, drums; Jacky Bambou, percussion; recorded: ORTF radio broadcasts, Paris, France, 11 June 1964])
Twitter @HerbertEkweEkwe


82nd birthday of Cecil McBee

(Born 19 May 1935, Tulsa, Oklahoma, US)
Eminently influential bassist, composer, academic
(McCoy Tyner Quartet, “Bluesin’ for John C” [composer: McCoy Tyner] [personnel: Tyner, piano; Pharoah Sanders, tenor saxophone; Cecil McBee, bass; Roy Haynes, drums; recorded: Impulse! Records, New York, US, 9 July 1987])
Twitter @HerbertEkweEkwe

92nd birthday of Malcolm X

(Born 19 May 1925, Omaha, Nebraska, US)
One of the preeminent leaders of the African American freedom movement
(Sonny Rollins Trio, “The freedom suite” [personnel: Rollins, tenor saxophone; Oscar Pettiford, bass; Max Roach, drums; recorded: Riverside Records, New York, US, 7 March 1958])
Twitter @HerbertEkweEkwe

Wednesday, 17 May 2017

66th birthday of Emma Okala

(Born 17 May 1951, Onicha, Biafra)
TOWERING goalkeeper of the indomitable Enuugwu Rangers International, the football club, during the 1970s-1980s, which, arguably, most symbolises the dogged and resilient spirit of Igbo people in the wake of the cataclysmic genocide, 29 May 1966-12 January 1970, the foundational genocide of post-(European)conquest Africa, when Nigeria and its suzerain state Britain led by Prime Minister Harold Wilson murder 3.1 million Igbo or 25 per cent of this nation’s population
(Lee Morgan Quintet, “Gary’s notebook” [personnel: Morgan,trumpet; Joe Henderson, tenor saxophone; Barry Harris, piano; Bob Cranshaw, bass; Billy Higgins, drums; recorded: Van Geldar Studio, Englewood Cliffs, NJ, US, 21 December 1963])
Twitter @HerbertEkweEkwe

86th birthday of Dewey Redman

(Born 17 May 1931, Fort Worth, Texas, US)
Versatile tenor saxophonist, composer and bandleader, collaborates with a number of distinguished artists (especially alto saxophonists Ornette Coleman and Prince Lasha, trumpeter Don Cherry, pianists Cecil Taylor and Keith Jarrett, guitarist Pat Metheny, bassist Charlie Haden, drummers Ed Blackwell, Paul Motian, Charles Moffett, Elvin Jones) in groundbreaking recordings (1960s-1990s), plays in the celebrated Jarrett’s American Quartet of the 1970s particularly in the ensemble’s exquisite composition, The Survivors’ Suite (1976), father of the equally brilliant and accomplished tenorist Joshua Redman
(Ornette Coleman Septet, “Happy house” [personnel: Coleman, alto saxophone; Don Cherry, pocket trumpet; Bobby Bradford, trumpet; Redman, tenor saxophone, musette; Charlie Haden, bass; Billy Higgins, drums; Ed Blackwell, drums; recorded: Columbia Studios E, New York, UK, 9 September 1971])

Twitter @HerbertEkweEkwe