Showing posts with label “Contemplation”. Show all posts
Showing posts with label “Contemplation”. Show all posts

Wednesday, 17 April 2019

98th birthday of Chike Obi

(Born 17 April 1921, Onicha, Biafra)
Herbert Ekwe-Ekwe

FIRST mathematics doctorate in Biafra/countries in southwestcentral Africa, rigorous academic and public intellectual, aptly described by Biafran theoretical physicist Alexander Obiefoka Animalu as the “foremost African mathematical genius of the 20th century”
(McCoy Tyner Quartet,  “Contemplation” [personnel: Tyner, piano; Joe Henderson, tenor saxophoneRon Carter, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 21 April 1967])

*****Herbert Ekwe-Ekwe is the author of The longest genocide – since 29 May 1966 (2019) and co-author, with Lakeson Okwuonicha, of Why #DonaldTrump is #great for #Africa (2018)


Twitter @HerbertEkweEkwe

Wednesday, 10 January 2018

Salute to insight!

(Nnamdi Kanu: ... leader of Indigenous People of Biafra and freedom broadcaster, Radio Biafra)
Herbert Ekwe-Ekwe

AS US President Barack Hussein Obama and British Prime Minister David Cameron are soon to implement their infamous joint programme to impose genocidist operative Muhammadu Buhari as head of regime in Nigeria, Nnamdi Kanu, leader of the Indigenous People of Biafra, makes the following broadcast on Radio Biafra, 6 February 2014, on the consequences of this plan on the people of Biafra:
 … [T]o elevate Hausa-Fulani supremacy, to reposition the security agencies by sacking all competent hands and replace them with their [people] to drive their … domination of the Biafrans; the Fulani herdsmen will be armed and encouraged to slaughter us with impunity and their masters will protect them. They are coming to ensure that my people are enslaved forever. Those who do not … believe me … will soon see it happen before their eyes...
(McCoy Tyner Quartet,  “Contemplation” [personnel: Tyner, piano; Joe Henderson, tenor saxophoneRon Carter, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 21 April 1967])
Twitter @HerbertEkweEkwe

Salute to insight!

(Nnamdi Kanu: ... leader of Indigenous People of Biafra and freedom broadcaster, Radio Biafra)
Herbert Ekwe-Ekwe

AS US President Barack Hussein Obama and British Prime Minister David Cameron are soon to implement their infamous joint programme to impose genocidist operative Muhammadu Buhari as head of regime in Nigeria, Nnamdi Kanu, leader of the Indigenous People of Biafra, makes the following broadcast on Radio Biafra, 6 February 2014, on the consequences of this plan on the people of Biafra:
 … [T]o elevate Hausa-Fulani supremacy, to reposition the security agencies by sacking all competent hands and replace them with their [people] to drive their … domination of the Biafrans; the Fulani herdsmen will be armed and encouraged to slaughter us with impunity and their masters will protect them. They are coming to ensure that my people are enslaved forever. Those who do not … believe me … will soon see it happen before their eyes...
(McCoy Tyner Quartet,  “Contemplation” [personnel: Tyner, piano; Joe Henderson, tenor saxophoneRon Carter, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 21 April 1967])
Twitter @HerbertEkweEkwe

Friday, 8 December 2017

Thoughts for the weekend: Who is “person of colour”?


Herbert Ekwe-Ekwe

WHO is this? Who indeed is “person of colour”? Would they also be termed “coloured person”? If not, why not?

No one should ever toy with their identity, their history – particularly African peoples, especially those domiciled in the pan-European World. Crucially, in this geographical space, as well as in the Arab World, the cardinal constructs of African identity have in the past been expunged in stretches of robust state/quasi-state programmes aimed primarily to deny or distort the saliency of the African presence.

This is why a person who presents themself, for instance, as African British, African American, African Caribbean, Igbo British, Ethiopian American, Congolese French, Biafran German, Jamaican Canadian, etc., etc., actuates a presence unmistakeably that references or resonates with history. In contrast, employing a dehistoricised expression/epithet in referencing someone, however expedient, even fanciful, questions that person’s presence and surely accelerates their slide to quite often tragic alienation.

ALWAYS insist on who you are. This is not the responsibility of somebody else’s.
(McCoy Tyner Quartet, “Contemplation” [personnel: Tyner, piano; Joe Henderson, tenor saxophoneRon Carter, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 21 April 1967])
Twitter @HerbertEkweEkwe

Sunday, 11 December 2016

78th birthday of McCoy Tyner

(Born 11 December 1938, Philadelphia, United States)
ONE OF THE most influential pianists of the 20th century, occupies the piano chair of the classic John Coltrane Quartet (full personnel: Coltrane, tenor and soprano saxophones; Tyner, piano; Jimmy Garrison, bass; Elvin Jones, drums), 1960-1965, and subsequently records own key signature albums (The Real McCoyTime for TynerExtensionsTender MomentsSaharaBlues for Coltraneplays John Coltrane at The Village VanguardRemembering JohnRevelationsInfinity44th Street SuiteIlluminationsExpansionsLive in WarsawRound MidnightSoliloquyplays Duke EllingtonToday and TomorrowNights of Ballads and BluesLove and PeaceLand of the Giants) in varying group contexts such as trios, quartets, quintets, sextets, nonets, big band, solo
(McCoy Tyner Quartet,  “Contemplation” [personnel: Tyner, piano; Joe Henderson, tenor saxophoneRon Carter, bass; Elvin Jones, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 21 April 1967])
Twitter @HerbertEkweEkwe