Genocidist nigerianá, 29 May 1966-20 May 2019: What’s the scoreboard?

(Nigeria state proclivity: genocide)

Herbert Ekwe-Ekwe

NOW THE SHADOWS lengthened. The Europeans had also been busily building up and training strong African armies. Africans trained to hate, kill and conquer Africans. Blood of Africans was to sprinkle and further darken the pages of their history … Indeed, Africa was conquered for the Europeans by the Africans [themselves], and thereafter kept under [conquest] control by African police and African soldiers. Very little European blood was ever spilled. (Chancellor Williams, The Destruction of Black Civilization, 1995: 218)

(Harold Wilson... easily decipherable DNA signature: “[I] would accept half a million dead Biafrans if that was what it took...” Nigeria to destroy the Igbo resistance to the genocide [1968])

(Adesanya Maja Adekunle... predictably, this on the ground “boy boy” executioner of the Igbo genocide for his “massa” Harold Wilson duly declares: “I want to prevent even one I[g]bo having even one piece to eat ... We shoot at everything that moves in ... I[g]bo territory ... even at things that don’t move” [1968])

THROUGHOUT the stretch of these pulverising 53 years of slaughtering 3.1 million Igbo people (29 May 1966-12 January 1970) and tens of thousands additional Igbo (13 January 1970- present day) in this genocide, this foundational genocide of post-(European)conquest Africa, the only tangible capability that the Fulani islamist/jihadist-led nigerianá murderers which include the league of pan-African constituent nations therein, particularly Yoruba, Edo, Jukun, Hausa, Kanuri, Nupe, Gwari, Urhobo, Tiv, Jarawa and their co-genocidist British state have acquired is one to commit even more murders –  nothing else … definitely, not the more challenging capacity to develop and transform nigerianá human potential and economy and, in turn, attract and merit the accolades and recognition from peers and others elsewhere in the world. Nigeria, indeed, collapsed as a state with few prospects that Sunday, 29 May 1966, when its state officials and academics and students and alimajiri embarked on the Igbo genocide. This status of Nigeria is irredeemable.

ALAS, murders and murdering and murders constitute genocidist nigerianá’s easily decipherable DNA signature as duly ascribed by that Harold Wilson’s 1968 monstrous Igbo death edict. Abhorrent legacy.

 (George Russell Sextet, “Nardis” [personnel: Russell, piano; Don Ellis, trumpet; Dave Baker, trombone; Eric Dolphy, bass clarinet; Steve Swallow, bass; Joe Hunt, drums; recorded: Riverside Records, New York, US, 8 May 1961]) 

 ******Herbert Ekwe-Ekwe is the author of The longest genocide – since 29 May 1966 (2019) and co-author, with Lakeson Okwuonicha, of Why #DonaldTrump is #great for #Africa (2018)

Twitter @HerbertEkweEkwe

Genocidist nigerianá, 29 May 1966-28 May 2018: What is the scoreboard?

(Nigeria state proclivity: genocide)

(Harold Wilson: easily decipherable DNA signature...“[I] would accept half a million dead Biafrans if that was what it took...”)

Herbert Ekwe-Ekwe

THROUGHOUT the stretch of these pulverising five decades of slaughtering 3.1 million and tens of thousands more Igbo people in this genocide, this foundational genocide of post-(European)conquest Africa, the only tangible capability that the nigerianá murderers and their British suzerain-state ally have acquired is one to commit even more murders –  nothing else … definitely, not the more challenging capacity to develop and transform their human potential and economy and, in turn, attract and merit the accolades and recognition from peers and others elsewhere in the world. 

ALAS, murders and murdering and murders constitute genocidist nigerianá’s easily decipherable DNA signature as duly ascribed by Harold Wilson’s 1968 monstrous Igbo death edict. Dreadful legacy.

(George Russell Sextet, “Nardis” [personnel: Russell, piano; Don Ellis, trumpet; Dave Baker, trombone; Eric Dolphy, bass clarinet; Steve Swallow, bass; Joe Hunt, drums; recorded: Riverside Records, New York, US, 8 May 1961]) 

Twitter @HerbertEkweEkwe

Genocidist nigerianá, 29 May 1966-10 June 2017: What is the scoreboard?

(Nigeria state proclivity: genocide)

(O Obusonjo: easily decipherable DNA signature...)

Throughout the stretch of these pulverising five decades of slaughtering 3.1 million and more Igbo people in this genocide, this foundational genocide of post-(European)conquest Africa, the only tangible capability that the nigerianá murderers and their British suzerain-state ally have acquired is one to commit even more murders –  nothing else … definitely, not the more challenging capacity to develop and transform their human potential and economy and, in turn, attract and merit the accolades and recognition from peers and others elsewhere in the world. Alas, murders and murdering and murders constitute genocidist nigerianá easily decipherable DNA signature. Dreadful legacy.

(George Russell Sextet here plays “Nardis”, a Miles Davis’s composition [personnel: Russell, piano; Don Ellis, trumpet; Dave Baker, trombone; Eric Dolphy, bass clarinet; Steve Swallow, bass; Joe Hunt, drums; recorded: Riverside Records, New York, US, 8 May 1961])

Twitter @HerbertEkweEkwe

Genocidist Nigeria, 29 May 1966-29 May 2016: What is the scoreboard?

(Nigeria state proclivity: genocide)

(Obusonjo: easily decipherable DNA signature...)

Throughout the stretch of these pulverising five decades of slaughtering 3.1 million and more Igbo people in this genocide, this foundational genocide of post-(European)conquest Africa, the only tangible capability that the murderers have acquired is one to commit even more murders –  nothing else … definitely, not the more challenging capacity to develop and transform their human potential and economy and, in turn, attract and merit the accolades and recognition from peers and others elsewhere in the world. Alas, murders and murdering and murders constitute their easily decipherable DNA signature.

(George Russell Sextet here plays “Nardis”, a Miles Davis’s composition [personnel: Russell, piano; Don Ellis, trumpet; Dave Baker, trombone; Eric Dolphy, bass clarinet; Steve Swallow, bass; Joe Hunt, drums; recorded: Riverside Records, New York, US, 8 May 1961])

Twitter @HerbertEkweEkwe