Showing posts with label pianists’ pianist. Show all posts
Showing posts with label pianists’ pianist. Show all posts

Saturday, 15 June 2019

97th birthday of Jaki Byard

(Born 15 June 1922, Worcester, Mass, US)
Herbert Ekwe-Ekwe

PIANIST, pianists’ pianist whose “encyclopaedic knowledge”to quote the recurring phrase from many a critic of the jazz piano repertoire, ensures he ranges effortlessly in his solo take from the stride traditions of the 1920s-1930s (James Johnson, Willie “The Lion” Smith, Fats Waller) to the late 1940s/early 1950s revolutionary breakthroughs of Thelonious Monk and Herbie Nichols and the later flights of Cecil Taylor but still sounding Jaki Byard; academic; indelible footprints on the Charles Mingus jazz workshop – particularly the classic sextet: Mingus, bass; Johnny Coles, trumpet; Eric Dolphy, alto saxophone, bass clarinet, flute; Clifford Jordan, tenor saxophone; Byard, piano; Dannie Richmond, drums
(Jaki Byard Trio, “Trendsition zildjian” [personnel: Byard, piano; David Izenzon, bass; Elvin Jones, drums; recorded: Prestige, New York, US, 31 October 1967])
(Charles Mingus Sextet – featuring Eric Dolphy, Live in Oslo 1964, “So long Eric” [personnel: Mingus, bass; Johnny Coles, trumpet; Dolphy, alto saxophone; Clifford Jordan, tenor saxophone; Jaki Byard, piano; Dannie Richmond, drums; recorded: live, University Aula, 12 April 1964]) 
Twitter@HerbertEkweEkwe




Friday, 15 June 2018

96th birthday of Jaki Byard

(Born 15 June 1922, Worcester, Mass, US)
Pianist, pianists’ pianist whose “encyclopaedic knowledge” (to quote the recurring phrase from many a critic) of the jazz piano repertoire ensures he ranges effortlessly in his solo take from the stride traditions of the 1920s-1930s (James Johnson, Willie “The Lion” Smith, Fats Waller) to the late 1940s/early 1950s revolutionary breakthroughs of Thelonious Monk and Herbie Nichols and the later flights of Cecil Taylor but still sounding Jaki Byard; academic, indelible footprints on the Charles Mingus jazz workshop – particularly the classic sextet: Mingus, bass; Johnny Coles, trumpet; Eric Dolphy, alto saxophone, bass clarinet, flute; Clifford Jordan, tenor saxophone; Byard, piano; Dannie Richmond, drums
(Charles Mingus Sextet – featuring Eric Dolphy, Live in Oslo 1964, “So long Eric” [personnel: Mingus, bass; Johnny Coles, trumpet; Dolphy, alto saxophone; Clifford Jordan, tenor saxophone; Jaki Byard, piano; Dannie Richmond, drums; recorded: live, University Aula, 12 April 1964]) 
Twitter@HerbertEkweEkwe




Thursday, 15 June 2017

95th birthday of Jaki Byard

(Born 15 June 1922, Worcester, Mass, US)
Pianist, pianists’ pianist whose “encyclopaedic knowledge” (to quote the recurring phrase from many a critic) of the jazz piano repertoire ensures he ranges effortlessly in his solo take from the stride traditions of the 1920s-1930s (James Johnson, Willie “The Lion” Smith, Fats Waller) to the late 1940s/early 1950s revolutionary breakthroughs of Thelonious Monk and Herbie Nichols and the later flights of Cecil Taylor but still sounding Jaki Byard; academic, indelible footprints on the Charles Mingus jazz workshop – particularly the classic sextet: Mingus, bass; Johnny Coles, trumpet; Eric Dolphy, alto saxophone, bass clarinet, flute; Clifford Jordan, tenor saxophone; Byard, piano; Dannie Richmond, drums
(Charles Mingus Sextet – with Eric Dolphy, Cornell University 1964, “Orange was the colour of her dress, then blue silk” [personnel: Mingus, bass; Johnny Coles, trumpet; Dolphy, bass clarinet; Clifford Jordan, tenor saxophone; Byard, piano; Dannie Richmond, drums; recorded: live, Cornell University, 18 March 1964]) 
Twitter@HerbertEkweEkwe