87th birthday of Flora Nwapa

(Born 13 January 1931, Ugwuta, Biafra)

Okee nwanyi mmadu, first African (continental) woman published novelist – Efuru, 1966, and, soon after, Idu, which she begins to work on at the onset of the Igbo genocide (mid-1966) and later publishes in 1970; her landmark works as well as those of sociologist Kamene Okonjo’s open up the expanse of possibilities in Igbo Women/African World Studies within which the scholarship, artistry and writings of subsequent generations of intellectuals, working worldwide, have flourished immensely

(Jackie McLean Quintet, “Action” [personnel: McLean, alto saxophone; Charles Tolliver, trumpet; Bobby Hutcherson, vibraphone; Cecil McBee, bass; Billy Higgins, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 16 September 1964])

 Twitter @HerbertEkweEkwe

80th birthday of Ngũgĩ wa Thiong’o

(Born 5 January 1938, Kamĩrĩĩthũ, Kenya)

Novelist, playwright, essayist, conscience and treasured dissident voice in these turbulent times in the African World, indefatigable promoter of publishing in African languages as he, himself, has done consistently in the Gĩkũyũ beginning in the late 1970s when he publishes Caitaani Mũtharabainĩ which he later translates into English as Devil on the Cross (1980)

Ngũgĩ wa Thiong’o, Devil on the Cross (London: Heinemann African Writers, 1987, 256pp, £9.41/US$12.20, pbk)

FOR a succinct insight into the expansive contributions of  Ngũgĩ wa Thiong’o to the heritage of African World Letters and associated development, see, for instance, Herbert Ekwe-Ekwe, Readings from Reading: Essays on African Politics, Genocide, Literature (Dakar & Reading: African Renaissance, 2011), pp. 45-50. 

(Jackie McLean Quintet, “Action” [personnel: McLean, alto saxophone; Charles Tolliver, trumpet; Bobby Hutcherson, vibraphone; Cecil McBee, bass; Billy Higgins, drums; recorded: Van Gelder Studio, Englewood Cliffs, NJ, US, 16 September 1964])

Twitter @HerbertEkweEkwe