(Harold Wilson: “would accept half a million dead Biafrans if that was what it took...”)
BRITISH SUPPORT FOR the perpetration of the Igbo genocide, this foundational genocide of post-(European)conquest Africa, 29 May 1966-Present Day, is driven principally by one factor: to “punish” Igbo people for playing the vanguard role in the mid 1930s-October 1960 movement to terminate 100 years of Britain’s conquest and occupation of the constellation of states and peoples of this southwestcentral region of Africa that it calls Nigeria. At the apogee of the genocide, 1968/1969, British Prime Minister Harold Wilson is adamant: “[I] would accept a half million dead Biafrans if that was what it took” Nigeria to destroy the Igbo resistance to the genocide (Roger Morris, Uncertain Greatness: Henry Kissinger and American Foreign Policy, London & New York: Quartet Books, 1977, p. 122).
HAROLD WILSON probably had the perverted satisfaction of having his Nigerian co-genocidist league of slaughters on the ground in SWC Africa, 3140 miles away from Britain, perform far in excess of their “massa”’s grim target by murdering 3.1 million Igbo instead – an outcome coldly recounted indeed in Wilson’s own memoirs where he notes that the Nigerian génocidaires, duly led by Hausa-Fulani/islamists trenchantly opposed to the mid 1930s-1960 African peoples’ restoration-of-independence goal and therefore equipped zealously by Britain, expended more small arms ammunition in its campaign to achieve its annihilative mission in Biafra than the amount used by the British armed forces “during the whole” of the Second World War (Harold Wilson, Labour Government, 1964-1970: A Personal Record, London: Weidenfeld & Nicolson, 1971, p. 630, emphasis added).
(New York Art Quartet plays “Mohawk”, a composition by Charlie Parker [personnel: John Tchicai, alto saxophone; Roswell Rudd, trombone; Reggie Workman, bass; Milford Graves, drums; recorded: Nippon Phonogram, New York, US, 16 July 1965])